Why put an extra diffuser in front of a softbox?
Asked 4/28/2011
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I saw a workshop photo where an assistant was holding a white shoot-through diffuser directly in front of a softbox used for a portrait. Since the diffuser is very close to the softbox, it doesn't seem to make the light source much larger. So why add it? What effect does it have on the light, and when would you want to do this instead of just turning the flash power down?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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There are a few reasons that I'm aware of to combine soft-box and an additional diffuser:
With smaller softboxes and hotter lights (read: flashes) the softbox isn't always able to completely diffuse the light source, which causes a 'hotspot'... Essentially the center of the diffusion 'square' is brighter than the edges. It's better than a 'nekkid' flash, but often you can still see the effects of that hotspot on the subject. There are several solutions (lower flash power, bigger box, move the flash further back in the box, etc.) but often the most expedient way to deal with the problem during a 'live' shoot is simply to throw another layer of diffusion in front of the box to soften out the hotspot.
To lower the power of the light without having to rip open the box and fiddle with the flash. If you're within a stop(ish) of where you want the light to be and your light source is a manual flash where the controls are not easy to get at, it's often more expedient to simply lower the light by throwing another layer of diffusion in there than to monkey with the controls on the flash.
It is possible to make a small box somewhat bigger (at the expense of power) by hanging a diffuser in front of it... Now you're correct that this is not what's going on with this particular picture (the diffuser is too close to the box to have much effect in this regard), but for the sake of 'completeness' I thought I'd mention it. :-)
For me personally, adding a diffuser is mostly a 'hack' manuver (not hack as in 'unprofessional,' hack as in 'hacker') when I have actual clients in the studio and I don't have the time (or don't want to take the time) to be fussing with the lights while they sit there and wait for me to get it right by 'dialing it in.' If the light is already 'pretty close' but I just need to dial it down 'a bit more,' or 'soften it slightly' it's usually a big time savings just to hack the solution, rather than fiddle with making it 'really really right' by dialing it in at the source, or moving the lights back and forth... again all while the client sits there and waits for me (extra not good if the client is in the short-attention-span set... AKA a child). :-)
Originally by user2838. Source · Licensed CC BY-SA 4.0
user2838
15y ago
0
Generated from our catalog & community — verify before relying on it.
An extra diffuser in front of a softbox is usually used to refine the light, not to make it much larger.
Common reasons:
- Reduce hotspots: some softboxes, especially smaller ones with powerful flash heads, can be brighter in the center than at the edges. A second diffusion layer helps even out that hotspot and smooth the output.
- Cut light output: if the strobe is already at minimum power, added diffusion lowers the amount of light without changing the strobe setting.
- Keep flash duration: lowering power can change flash duration on some lights, so diffusion lets you reduce brightness while keeping the duration you want.
- Improve reflections: in product or glossy-surface photography, the subject often reflects the shape of the light source. An added diffuser can soften the hard edge of the softbox and create a smoother gradation in reflections.
So the mechanism is mainly additional scattering and evening-out of the light. It costs output, but it can produce a cleaner, more controlled result than just reducing power.
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