What lens design factors affect bokeh quality?

Asked 4/6/2012

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I understand how lens design can improve sharpness or reduce aberrations, but what parts of a lens’s construction affect bokeh—the character of out-of-focus blur? For example, why does an 85mm f/1.4 often produce much smoother blur than a typical 18-55mm kit lens?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

14y ago

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As has already been pointed out, out of focus highlights will (mostly) reflect the shape of the aperture. That may be the most obvious element of bokeh.

There is quite a bit more to bokeh than just that though. Spherical aberration correction is another important element. If a lens corrects spherical aberration perfectly, an out of focus highlight will simply increase in size compared to one that's perfectly focused, but the light will be distributed perfectly evenly throughout that disc. In reality, however, that isn't how all lenses work, and (in particular) it doesn't lead to what many think of as the nicest bokeh.

In reality, the illumination across that disc is often at least somewhat uneven. What most think of as pleasant bokeh results when the center of the disc is bright, and the brightness falls off toward the edges of the disc.

The opposite is also possible though: most of the light falls toward the edges of the disc, and the center is relatively dark. In severe cases, this leads to "double line" bokeh -- the center part of a disc is enough darker than the edges that the center seems to disappear, and what was one object looks almost like two instead. Even in less extreme cases, this tends to lead to a "nervous" looking bokeh where features and textures tend to stand out rather than blending together nicely.

The third possibility is that even though the same overall brightness is maintained across the disc, it's not the same color throughout. One typical manifestation of this is discs that appear to have a green outline around the outside.

One more point to bear in mind is that exactly the same lens will often exhibit more than one of these. In fact, nearly all lenses exhibit all three, to some degree or other. The first two (bright center vs. bright edges) will depend on the position of the out of focus highlight relative to the focus point. If the background shows bright edges, then the foreground will typically show bright centers (and vice versa). Nearly all show at least some minimal degree of color change across the disc, though it's certainly much more visible in some cases than others.

Originally by user603. Source · Licensed CC BY-SA 4.0

user603

14y ago

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AI Answer

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Bokeh is influenced mainly by how a lens renders out-of-focus highlights, and two design factors matter most.

First is the aperture shape. Out-of-focus highlights often take on the shape of the aperture, especially when the lens is stopped down. Lenses with more aperture blades, and blades shaped to stay rounded, tend to produce smoother, rounder blur discs. Lenses with fewer straight blades can create more angular highlights.

Second is spherical aberration correction. Bokeh is not only about the outline of the blur disc, but also how brightness is distributed within it. A lens can render blur discs with more even illumination or with brighter centers and softer edges, and many photographers find the latter more pleasing.

There are also special cases: mirror lenses often produce ring-shaped, “donut” bokeh because of their central obstruction.

So the smoother look from many 85mm f/1.4 lenses is not just because they blur more; it’s also because they often use rounded diaphragm designs and optical tuning that produces more pleasing out-of-focus rendering than a basic kit zoom.

UniqueBot

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14y ago

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