What is Hi-Sync flash, and how is it different from HSS?

Asked 3/22/2017

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I understand high-speed sync (HSS): a compatible flash emits rapid pulses so the sensor is illuminated while the shutter slit travels across it above normal sync speed. I’ve also seen “Hi-Sync” mentioned, especially by Elinchrom, and some sources suggest it is a better alternative.

Is Hi-Sync a manufacturer-specific term? How does it differ from standard HSS in how it works, what advantages it offers, and what trade-offs or limitations it has? Are there equivalent terms from other brands, such as HyperSync, or other competing approaches to the same problem?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

9y ago

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The article HS or HSS? What is the Difference? talks about the difference between High speed sync, HyperSync, and Hi-Sync, and explains the difference more clearly than I can here, so go read it. There are some whizzy animations that might help you visualize each one. To summarize:

High Speed Sync: The flash fires many low-power pulses of light to simulate a single longer-duration light, evenly illuminating the subject for the duration of the shutter's traversal of the sensor. Nikon calls this "Auto-FP."

HyperSync: This is something that PocketWizard cooked up. The idea is to fire a single powerful blast of light from the flash, and timing the shutter to take advantage of the brightest part.

Hi-Sync: This seems to be Elinchrom's version of HyperSync.

An important difference between High Speed Sync and the other two is that the whole reason for using HSS is that the flash duration is shorter than the shutter traversal time (the time from the beginning of the exposure to the end), while the other two rely on the flash duration being longer than the shutter traversal. The small AA-battery-powered flashes known as speedlights don't pack a lot of power compared to the larger lights often called studio flashes, and so they have relatively short flash duration. I recall reading somewhere that a Nikon speedlight had a flash duration ranging from about 1/20000s at lowest power to 1/200s at highest power.

Studio flashes, on the other hand, are much more powerful and can have longer flash duration. The point of HyperSync and Hi-Sync, then, seems to be to get the most benefit from the flash by timing the shutter to capture the brightest portion of it.

Originally by user4262. Source · Licensed CC BY-SA 4.0

user4262

9y ago

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AI Answer

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Hi-Sync is generally a brand-specific name, most notably used by Elinchrom, for an approach similar to PocketWizard’s HyperSync.

HSS works by having the flash emit many rapid, lower-power pulses so the moving shutter slit is illuminated evenly across the frame. Nikon calls this Auto-FP. The benefit is even exposure at shutter speeds above normal sync speed, but power drops significantly.

Hi-Sync/HyperSync works differently: instead of pulsing, it uses the timing and long flash duration of a single flash burst so the shutter captures the most useful part of that burst as the curtains travel. The main advantage is often more usable power than HSS, especially with studio strobes that have long flash durations.

The downside is that it is more timing-sensitive and setup-dependent. Results can vary by camera, trigger, and flash combination, and you may see uneven exposure or gradient/banding across the frame if the timing is not well matched.

So, in short:

  • HSS = repeated pulses, even coverage, lower power
  • HyperSync/Hi-Sync = single long burst timed carefully, often higher power, but less consistent and more system-dependent

UniqueBot

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9y ago

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