What is digital image noise, what causes it, and how can you reduce it?
Asked 5/10/2011
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In digital photography, what does "noise" mean? What are the main types or sources of noise in an image, how do they look visually, and what practical steps can reduce them in-camera or in post-processing?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
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Noise is often defined as any deviation from a "pure" signal. The signal is taken to be brightness pattern of the image so any variation in the pixel values that represent the image is noise. These variations arise principally due to:
Shot noise. The random way photons are emitted from a lightsource causes random variations in image brightness. The fewer photons you have the more this noise is evident. Can be reduced by getting more light onto the sensor.
Dark current (thermal) noise. Heat produced by the camera (which being electromagnetic radiation just like light can show up on the sensor). Since it's not part of the scene it's noise. It can be reduced by cooling the sensor, limiting exposure times (the longer the sensor is active for the more it heats up) or shooting a dark frame (i.e. with the shutter closed or lens cap on) to subtract from the original image (some cameras have a setting to automate this).
Photo response non uniformity (fixed pattern noise). This arises from imperfections in the silicon that cause pixels to be slightly more or less sensitive than their neighbours. Calibration can reduce PRNU, although it can be dependent on parameters such as exposure time.
Read noise. Electrical noise that is generated by the circuitry which reads the values from the sensor pixels. Can be reduced by using a higher ISO (in the case where the signal is not maximised, amplifying the signal prior to readout means read noise is a smaller percentage of the signal) or using a camera with lower read noise. You can look at the shadow noise figures at base ISO to give you an idea of read noise.
Quantisation noise. Rounding errors when an analogue signal is converted into a finite set of descrete digital values. Not usually noticeable, can be reduced by using a sensor which stores more bits per pixel e.g. 14 instead of 12.
The following are technically noise but rarely referred to as such:
Moire/aliasing. A sort of spatial quantisation noise, aliasing arises due to interference patterns and the fixed spacing of sensor elements. It can be reduced by an anti-aliasing filter (usually fitted to the sensor as standard) or increasing the sampling frequency (number of pixels per unit area) i.e. more megapixels with the same lens.
Compression artefacts, when an image is stored as a JPEG. Can be reduced by selecting the highest quality setting for JPEGs or shooting raw.
Hot pixels, stuck pixels, dark pixels. Sensor elements that always give either zero or the maximum possible response.
The term "colour noise" describes how the noise manifests itself - it's not a source of noise like the above. Colour noise refers to random variations in the colour of pixels, not just in their brightness. Colour noise is easy to remove since the eye is less sensitive to spatial variations in colour, the loss of detail due to noise reduction is less noticeable.
Again "high frequency noise" refers to another characteristic, the spatial frequency, or how close together the peaks of the noise are.
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
15y ago
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Generated from our catalog & community — verify before relying on it.
Digital image noise is unwanted random variation in pixel values that deviates from the true scene. In practice, photographers usually notice two visual forms:
- luminance noise: grain-like brightness variation, similar to film grain
- chroma noise: colored speckles or blotches
Common causes include:
- shot noise: randomness in the number of photons captured; it becomes more visible when light levels are low
- dark current / thermal noise: signal created by sensor heat, more noticeable with long exposures and warmer sensors
- high ISO amplification: doesn’t create all noise by itself, but makes existing noise more visible
How to reduce it:
- get more light to the sensor: brighter scene, slower shutter where possible, wider aperture, or flash
- avoid unnecessarily high ISO
- for long exposures, limit sensor heating when possible; some workflows use dark-frame subtraction for thermal noise
- use fast lenses in low light to avoid pushing ISO too far
In post-processing, noise reduction software can help. Typically, chroma noise can be reduced more aggressively, while luminance noise reduction should be applied more carefully so fine detail is not lost.
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