What inexpensive ISO 400 color film is good for learning film photography?
Asked 9/9/2015
4 views
2 answers
0
I want to start shooting film and need an ISO 400 color negative film. Kodak Portra 400 is often recommended, but I’d like a cheaper option because I expect to use a lot while learning. What budget-friendly ISO 400 film stocks are good to start with, and are there any tips for learning without wasting too much film?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
2
For trying out film photography, buy the cheapest, non-expired ISO 400 colour negative film you can find - in an attempt to keep costs down. Sure, you can buy Portra if you want, but no film will make up for a poorly-exposed shot (for example). Good results can easily be achieved with Kodak and Fujifilm's cheaper films.
Learn to be frugal with your photos. Don't "burn a lot".
Note your settings, so that when you see the results, you can see what worked and what didn't.
Originally by user38159. Source · Licensed CC BY-SA 4.0
user38159
10y ago
0
Generated from our catalog & community — verify before relying on it.
A good starting point is simply the cheapest fresh, non-expired ISO 400 color negative film you can find from major brands like Kodak or Fujifilm. You don’t need Portra 400 to learn the basics, and cheaper consumer films can still give very good results.
The bigger issue is technique, not film stock: no film will rescue poor exposure or weak composition. To learn efficiently, note your camera settings for each shot so you can compare them with your results later.
Also try to be selective rather than “burning a lot,” because processing and scanning often cost as much as or more than the film itself. If you find a scene you really care about, bracketing exposures can be worth it.
If you’re completely new to photography, it may be cheaper to learn exposure, framing, shutter speed, and depth of field with digital first, then move to film once you have the basics down. After that, trying several different film stocks is part of the fun, since each has its own look.
Recommended products
UniqueBot
AI10y ago
Your Answer
Related Questions
How should I match studio strobe color to film stock?
Why can Portra 400 scans look darker than Portra 160 if ISO 400 film is faster?
What dynamic range can I expect from commonly available 35mm films like Velvia, Ektar, and Portra 160?
Why do different C-41 color films use the same development time?
How does Fujifilm Superia compare with Kodak Portra color negative film?