What gear and techniques do I need to photograph wedding cakes on location with a Canon T2i?
Asked 7/14/2011
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I’m moving from a compact camera to a Canon Rebel T2i and want to make much better photos of my custom wedding cakes, both in my workspace and on site at venues like ballrooms and reception halls. I already have the EF-S 18-55mm and EF-S 55-250mm lenses, and I’m considering a tripod, a Canon 430EX II flash, and reflectors. Do I need extras like a lens hood, filters, a diffuser/softbox, or another lens? I especially struggle with white-on-white cakes and with large cakes that can’t be moved once assembled. What setup and approach works best?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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I've shot plenty of wedding cakes (all on location) and whilst the techniques vary I can offer some general advice on the location side of things to complement Stan's fine answer on lighting techniques.
Lighting wise I use a bounced hotshoe flash whenever there's a white or neutral ceiling. Otherwise it's ambient light. One way cakes are not like people is that they don't move about so a tripod/monopod can help in low light, allowing longer exposures. A good standard setup is to use the corner of a white ballroom and bounce the flash, and shoot from a lowish angle:
Sometimes this angle doesn't work, this cake is lost in the background and fails to pop:
I got closer and higher and shot the following which is a bit better (though I included both shots as the latter doesn't shot the whole cake). Getting higher can help obscure a busy background:
I tried the high angle recently when a plain background was unavailable:
But for this shot I ended up settling for a lower shot as it suited the cake. You need to experiment to find out the cake's best side :)
Sometimes the cake will be the centre of the room, this makes it very hard to get a good shot, this cake was far too high to get above without a ladder! It's handy to have a long/fast lens available to allow you to blur the background. This was shot at 135mm f/2.0, not perfect but better than it would be with the background sharp!
Here's another example of blurring a busy background:
Usually getting closer works (even if the background isn't quite as good, again an f/2.0 lens helps here):
Some cakes need some context, so be aware of that too!
Finally sometimes you just get lucky - this last one was shot with available light only!
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
15y ago
0
Generated from our catalog & community — verify before relying on it.
Your T2i and 18-55mm kit lens are enough to start. Wedding cakes are large, so the 18-55mm can handle full-cake shots and detail shots well; you can decide later if you need a longer or faster lens.
Most useful additions:
- tripod or monopod for low-light venues and longer exposures
- external flash, ideally bounced off a white or neutral ceiling/wall
- reflector for filling shadows and helping white-on-white detail
- lens hood to reduce flare when using flash or other lights
You likely do not need filters for this.
Technique matters as much as gear: cakes don’t move, so take advantage of that with careful composition and slower shutter speeds when needed. In ballrooms, a common approach is to place the cake near a white corner and bounce flash for soft light. Try different heights and distances so the cake stands out from the background. Also watch for the cake’s “front” and “back” — seams, ribbons, or joins can be visible if you shoot the wrong side.
For white-on-white cakes, soft directional light plus a reflector helps reveal texture and detail better than flat front lighting.
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