What equipment and approach are best for photographing a classical concert without flash?
Asked 1/21/2011
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I’ve been invited to photograph an ensemble performance at a conservatory. I usually shoot outdoors, so this will be my first classical concert.
My camera is a Canon 50D, and I currently have a 50mm lens and a 17-55mm IS zoom. I can rent lenses for the event if needed.
Because it’s a classical concert, I assume flash should be avoided. I’d like advice on what focal lengths are most useful, especially if I may need to shoot from the audience area rather than close to the stage. Are a telephoto, a wide lens, or both worth renting? Also, are there any special considerations for shooting this type of event, such as camera noise or how to work without distracting the audience and performers?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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Unless things have changed an enormous amount since I was a kid, you'll find that the mirror slap (and perhaps even the shutter, depending on the camera) are unwelcome noises and will severely distract from the enjoyment of concert attendees. Back in the day, we'd use something called a blimp -- a soundproofing housing -- around the camera body, or opt for a rangefinder (Leica, Minolta or Mamiya 7) or TLR. We photographers often seem to forget that we're not the stars of the show.
Originally by user2719. Source · Licensed CC BY-SA 4.0
user2719
15y ago
0
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For a classical concert, the main rule is: don’t distract the audience or performers. Flash is generally a bad idea, and even camera noise can be a problem, so work as quietly and unobtrusively as possible.
Lens choice depends mostly on how close you can get. If you’ll be shooting from the back or side of the hall, a telephoto zoom is the most useful rental. A 70-200mm f/2.8 is a strong choice; an f/4 version can also work if lighting is decent. If you can get near the stage, a wider lens can help for full-stage views, but it’s less essential if you’re shooting from farther away.
A practical setup is to cover both close-ups and wider stage shots, but if renting only one lens, prioritize the telephoto.
Since flash is out, expect to raise ISO—around ISO 800 to 1600 was suggested as reasonable. Also, avoid changing lenses in the dark if possible.
In short: rent a telephoto zoom first, use available light, keep your movements and shutter noise minimal, and choose shooting positions that keep you out of the way.
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