What does “white” on a camera LCD or computer monitor actually mean, and should I white-balance to the screen?
Asked 4/19/2013
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When I set white balance on my DSLR to a particular color temperature, that setting appears as white on the camera screen and on my computer monitor. What color is a screen actually showing when it displays “white”? Should I white-balance my camera to match the screens people will use to view the photos?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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"white" is subjective to humans.
LED displays, CRT displays, and LCD(flourescent tube lit/LED lit) displays all have variances in what it considers to be "white". Only when that variance is greater than what our eyes will compensate for, do we detect it as being "off".
The exactly output color for "white" depends on your hardware. Calibrating your camera to the white from an LED lit monitor/display will probably result in everything being recorded and displayed as "warm" since the LED white tends towards the blueish side. Same with flourescents, some LED bulbs, and your average hot shoe flash. They are all on the "cool" side.
White balance calibration of your camera is a "per environment + lighting condition" activity. What is "white" for a room lit with incandescent bulbs will not be "white" in another room lit by noon time sunlight.
Even with two monitors of the same model/build/make/etc. from the same store, will probably be off by a bit. You can calibrate the monitor to a white value or to one another, so that they are similar in white balance.
Basically:
- Your monitor needs to be calibrated (given your room, work environment, and lighting conditions)
- Your camera needs to be calibrated (given the environment, light situation, and your desired look)
- Your printer needs to be calibrated (for your given workflow, inks, paper, and intended display lighting situation )
- Your scanner needs to be calibrated (for that given scanner's sensor biases)
Sorry for the long winded answer. :) But in general, "white" on a monitor isn't actually white. Or rather, it is a particular color temperature range we generally call white.
Originally by user19243. Source · Licensed CC BY-SA 4.0
user19243
13y ago
0
Generated from our catalog & community — verify before relying on it.
“White” on a screen is not one single physical color. On a display, white is typically produced when the red, green, and blue channels are equal and near maximum (for example 255,255,255 in 8-bit RGB), but the exact appearance depends on the screen’s hardware, calibration, and color profile.
So no, you generally should not white-balance your camera to a monitor or camera LCD. White balance should be set for the lighting illuminating the scene, because it’s a capture-stage adjustment. A monitor is an output device with its own color characteristics, and different monitors and printers all reproduce white differently.
The better workflow is:
- white-balance the camera for the scene’s light
- edit in a standard color space/profile such as sRGB or Adobe RGB
- use a calibrated/profiled monitor if accurate viewing matters
If a monitor is properly calibrated, color management maps the image data to that display so whites and other colors appear as intended. If the monitor is uncalibrated, “white” may look warmer or cooler, but that’s a display issue, not something to correct by changing in-camera white balance.
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