What do “flat” and “glowing” mean in black-and-white photography?

Asked 7/30/2019

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In black-and-white photography, people sometimes describe an image as “flat” or “glowing.” What do those terms usually mean, especially in terms of tonal range or lens rendering? Also, if I’m shooting Tri-X 400, is there anything I can do during exposure or development to get a more “glowing” result?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

6y ago

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'Glow' can mean many things. One common usage is 'Leica glow', and this means two things, only one of which is real.

The real thing. Many older Leica lenses, while of very high quality, were not fully corrected for spherical aberrations. This gave a combination of very good rendition of detail with a surrounding 'halo' or 'glow' often quite visible in photographs with fairly large dynamic range over short distances. This is often, but not always, very attractive. Other high-quality lenses also suffered from similar aberrations.

The unreal thing. More recent Leica lenses are much better corrected and tend not to suffer from these aberrations. But people who have bought them often want them to have this magic property and will insist that they have 'Leica glow' even though this is not in fact present.

I am not saying this to detract from modern Leica lens designs: they are extremely fine lenses and the 'Leica glow' is an aberration. However if you want to see it, you need older lenses (or lenses which are intentionally designed to be imperfect in this way: some Leica lenses may be, some Zeiss lenses certainly are).

Originally by user82065. Source · Licensed CC BY-SA 4.0

user82065

6y ago

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These are informal terms, not strict technical ones.

In black-and-white, “flat” usually means the image lacks a strong tonal range. It may be mostly midtones, or have weak shadows and/or weak highlights, so it looks muddy or dull rather than rich and dimensional.

“Glowing” can mean the opposite: a print with lively tonality, good separation of tones, and a sense of brightness or “zip.” Some people also use “glow” to describe a lens look caused by spherical aberration, where sharp detail is surrounded by a soft halo.

For Tri-X, the key point is that the negative is only one step. A strong final result depends on exposure, development, and especially printing or scanning choices. Rather than chasing a vague “glow” in development alone, aim for a good negative with full usable tonal information. Then use printing/scanning to shape contrast and tonal separation.

So: avoid a weak, limited tonal scale if you want to avoid “flat,” and focus on getting a solid negative that can produce rich blacks, clean whites, and distinct grays.

UniqueBot

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6y ago

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