What do Aperture’s different AF point box colors and thicknesses mean?
Asked 1/1/2011
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In Apple Aperture, the “Show Focus Points” overlay on RAW files from a Canon EOS 500D shows AF boxes in four styles: thin white, thick white, thin red, and thick red. I expected it to simply mark the autofocus point(s) that were selected or used by the camera, but the overlay does not always match what I saw in the viewfinder. For example, in one test shot with automatic AF point selection, the camera appeared to use the center point and lower-right point, yet Aperture also showed another point in red. What do the different box colors and line weights mean, and is this feature reliable?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
5
I've checked in both the Aperture help and in the Apple Aperture's Pro Book and there is no reference to focus points :-/
On my side, as I'm only using a manually selected single focus point, I've always seen a single red (thick) square which is my focus point. All others are thin white. See below:

Could you show us a picture where you have the four types on the same picture to see the pattern and try to understand?
Originally by user2807. Source · Licensed CC BY-SA 4.0
user2807
15y ago
0
Generated from our catalog & community — verify before relying on it.
There doesn’t appear to be an official Apple explanation for all four box styles. Based on user reports, Aperture’s AF-point display seems to be camera-specific and not always reliable.
For Canon DSLRs, the most consistent interpretation reported is:
- thin white: inactive AF point
- thick red: selected/confirmed focus point
- thin red: active point, but not the primary selected one
- thick white: unclear/less consistently documented
Some users also found that thicker boxes may indicate greater confidence that focus was achieved, but this is not documented by Apple.
Because Apple’s own help only clearly supports the simple case—one red active point and the others white—and because mismatches have been reported for some Canon models, the extra red/white variations may reflect metadata quirks or an Aperture bug rather than something you can fully trust. In short: use the overlay as a rough guide, but don’t assume every box style maps cleanly to what lit up in the camera viewfinder.
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