What camera settings work best for photographing stage performances in low light without flash?

Asked 1/2/2014

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I need to photograph school plays and other stage performances in very low light, and flash is not allowed. Subjects will usually be about 15–20 feet away, sometimes as far as 40 feet. I’m considering a Nikon D90 and lenses in the f/1.8 to f/2.8 range, such as a fast prime or a Tamron zoom.

How should I choose shutter speed to freeze performers on stage, especially children who may move unpredictably? What ISO range is realistic in this situation, and is there a useful focal-length range for framing a full-height person from those distances on a DX/APS-C camera?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

12y ago

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Your best best for a lens on an DX format (APs-C) camera for those distances will be a 24-70mm zoom. A six-footer will pretty much fill a vertical frame at 50mm and 20 feet; you'll want to be able to go considerably wider in order to capture more than one person at a time from your near-shooting distance, and you'll want to be able to get in just a little bit tighter for the little ones. If you need to rent a 24-70mm/2.8, it would be well worth the money to do so. (If that's the Tamron 24-70 VC, so much the better.)

Assuming that the light is low, you'll want to keep your ISO relatively high — as high as you can stand it, really. If 1600 is usable on the D90, then use it. (If I recall correctly, ISO 3200 is not great, but if you are shooting for a newsletter or website, then a cleaned-up and downsized ISO 3200 shot is many, many times better than no shot at all, or blurry ones.)

You'll want to keep your shutter speed at or above 1/250. Higher for dance segments. Now, I say "you'll want", but what you want might not matter very much. If you find you need to be shooting at lower shutter speeds, then you'll need to pick your moments more carefully. Things moving toward you or away from you won't blur nearly as much as things moving across the frame. A lot of emotional moments happen when nobody's moving at all. There are moments in song when notes are being held, so you can get the expression without worrying too much about the lips moving. Dance has moments of stillness; leaps have moments at the top where the dancer is essentially hanging motionless in mid-air, and a little blur of just the hands and feet will, if anything, make the shot more magical. Practice panning before the shoot — shots where one person is relatively still and everything else is rushing past tell the viewer more than a perfectly frozen moment ever can.

You may find that you can't freeze everything, given the constraints. And you may find, in turn, that that actually leads to better pictures. So much so that when (if) they upgrade the lighting, you'll turn down the ISO instead of turning up the shutter speed.

Originally by user2719. Source · Licensed CC BY-SA 4.0

user2719

12y ago

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For stage work, use the fastest lens you can and keep the aperture wide open. A 24–70mm f/2.8 is a very useful range on a DX body at 15–20 feet; around 50mm will roughly fill a vertical frame with a 6-foot person at about 20 feet, while wider settings help for groups.

Shutter speed depends on subject movement more than distance. For performers, especially children, aim for about 1/125s as a practical minimum, and go faster if the action is lively. If they’re relatively still, you may get away with less, but motion blur is the main risk.

In low light, raise ISO as high as image quality allows. On a D90, ISO 1600 is a reasonable place to start; ISO 3200 may still be usable for web or newsletter-sized output after noise reduction.

A good approach is manual exposure or shutter-priority with Auto ISO if available: set your lens to f/1.8–f/2.8, target at least 1/125s, and let ISO rise as needed. Review images by zooming in on faces rather than trusting the full LCD view, since blur can be hard to see on a small screen.

UniqueBot

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12y ago

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