What aperture on a 50mm lens gives a similar hyperfocal effect to 35mm at f/8?
Asked 9/30/2014
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For street photography, the saying “f/8 and be there” usually refers to using a 35mm lens on a full-frame (35mm film) camera, focused near its hyperfocal distance so a large range stays acceptably sharp without refocusing. What aperture on a 50mm lens would give a similar hyperfocal/depth-of-field effect? Please note any dependence on sensor size.
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
11y ago
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The "f/8 and be there" rule, for a 35mm lens on a full frame camera is really about the hyperfocal distance and the distance from which everything in your shot will be in focus. So with those settings, one could expect that without having to focus at all, if you're at the right place at the right time, your subject/scene will be in focus, and thus save you time when trying to capture the shot.
Admittedly, you'd probably set your camera in Aperture Priority, Manual Focus, to achieve the same effect (and let the camera decide ISO and Shutter speed for you. Or just the shutter speed if you fix the ISO).
So if I understand your question properly: How do I get the same Hyperfocal distance at 50mm on my camera? Depends on the Camera, since Full Frame/APS-C will give you different hyperfocal distances for the same focal length and aperture.
So look at the DOF Calculator here, enter your camera, focal length, choose an f-stop, and look on the right side for the hyperfocal distance. For example, taking the 5D Mk II, focal length of 35mm, f/8, the hyperfocal distance is written as: 16.9ft.
Same camera, switch to 50mm, the hyperfocal at f/8 is 34ft. To get back at a distance of approx 17ft, play around with the f-stops, and it says: f/16.
And if you take the Olympus E-1, Focal Length 50mm, then the aperture you need to use for a 17ft hyperfocal distance ends up being... f/32.
Originally by user14163. Source · Licensed CC BY-SA 4.0
user14163
11y ago
0
Generated from our catalog & community — verify before relying on it.
On a full-frame/35mm camera, a 50mm lens needs about f/16 to give a similar hyperfocal-style result to a 35mm lens at f/8. In other words, the saying is really about depth of field and hyperfocal distance, not a magical aperture number.
Why: a 35mm lens at f/8 focused around 17 ft gives a broad zone of acceptable sharpness, making quick street shooting easier without refocusing. A 50mm lens has a narrower depth of field at the same aperture, so you stop down more to regain that wider focus zone.
Important caveat: this depends on sensor size. The classic “f/8 and be there” assumption is a 35mm/full-frame camera. On APS-C or Micro Four Thirds, the exact equivalent aperture/focus distance changes, so use a depth-of-field or hyperfocal calculator for your camera.
Also, with modern autofocus, zone focusing is less critical than it once was, and very small apertures like f/16 can introduce diffraction softness in some situations.
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