Resources for learning and using Canon custom Picture Styles
Asked 9/21/2015
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I’ve recently discovered Canon’s Picture Style Editor and the amount of control it gives for creating custom Picture Styles and loading them into the camera’s custom slots. Canon offers a few downloadable styles, but I’m looking for broader resources in two areas:
- Sources for pre-made Canon Picture Styles worth trying
- Tutorials or guides that explain how to build effective custom styles from scratch
I’m especially interested in practical advice on what makes a Picture Style “good” for different uses, rather than just random downloadable presets.
As a related question: can LUT-based looks such as HALD CLUT profiles from RawTherapee be converted or recreated for in-camera use with Canon Picture Styles, or are Canon Picture Styles too limited for that kind of translation?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
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Why doesn't Canon offer more presets and create more buzz for the possibilities of using their Picture Style Editor? You'd need to ask someone at Canon to know for sure. Having said that, it is probably the same reason they don't promote their own Digital Photo Professional editing software to any degree at all: they provide it free with all EOS cameras and would derive no additional revenue from increasing the number of Canon shooters who also use DPP.
I also think somewhere in the mix seems to be an assumption by Canon that the users of their software products are primarily the type of accomplished professional photographers that advise them on new product developments in terms of both hardware and software applications. Those guys can look at a picture with a particular look to it and intuitively see which colors are emphasized/shifted/muted/etc. They are the kind of power user that would rather write their own preset that gives them the total control to create a signature look that no one else is exactly replicating than to load a preset that is freely available for anyone else to copy. What Canon probably hears more from these photographers is a list of added features they would like to see in the next version of the software rather than a list of presets they would like to see available.
It's kind of ironic in a way. Canon sells more DSLRs than anyone in the world because they dominate the entry level market where the highest sales numbers are located. Yet they make corporate decisions based on what they perceive appeals to the users of their highest end products that sell the lowest number of units. In a way Canon has always been a lens company first, and are a camera maker in order to sell their lenses. This was the business model many companies followed in the film era, as there were little differences in film bodies from one maker to the next compared to the wide variety of film that one could load in any of them. In terms of manufacturers, the differences were in the lenses each brand offered. Only with digital has the hard wired sensor replaced the user selectable film type as the primary determiner of image qualities such as color, saturation, contrast, dynamic range, etc. And well over a full decade into the digital revolution Canon still hasn't caught on to what catches the attention of consumers, as opposed to imaging professionals, in a product.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
10y ago
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Generated from our catalog & community — verify before relying on it.
Useful resources do exist, but the key limitation is that Canon Picture Styles are not full LUT-based color transforms. They mainly adjust things like tone curve, contrast, saturation, color tone, and some selective color behavior, so a HALD CLUT/RawTherapee look generally can’t be directly converted for in-camera use.
In practice, the best learning resources are:
- Canon’s own Picture Style Editor tutorials/documentation
- Video-oriented guides discussing “flat” or custom profiles
- Download libraries of existing styles, mainly as examples to study rather than finished looks you can trust by name alone
A practical approach is to treat downloaded styles as starting points, then test and refine them yourself. What makes a “good” Picture Style depends on purpose: JPEG delivery, skin tones, landscapes, video grading latitude, or matching a preferred look. Because of that, there isn’t one universal best style.
If you want film-simulation-style results, you’ll usually get closer in post-processing than with in-camera Picture Styles alone. Canon’s system can create useful custom looks, but it’s more limited than a full color-grading workflow.
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