How should I meter snow with a spot meter for black-and-white film?
Asked 10/30/2017
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I use a Sekonic spot meter and the Zone System for black-and-white film, but snow keeps coming out denser on the negative than expected. When I place clean snow on Zone VIII, the negative often looks more like Zone IX or higher, and prints need heavy burning to hold detail. I’ve checked that I’m reading actual snow, not mixed snow and rock.
Is this likely to be a meter problem, or is snow a special case? When metering snow with a spot meter, should I place it differently than Zone VIII, rate the film differently, or adjust development to keep highlight detail?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
1
I divide the ISO of the film by 5 and then set the meter to this value. I then spot read the snow and set my camera to via this reading. That's a compensation of 2 1/3 f-stops. Works for me!
Originally by user44949. Source · Licensed CC BY-SA 4.0
user44949
8y ago
0
Generated from our catalog & community — verify before relying on it.
This does not necessarily point to a faulty meter. Snow is a difficult subject, and with black-and-white film the result depends on the whole Zone System workflow: film speed calibration, development, and printing—not just the spot reading.
A spot meter reads whatever you point it at as a midtone unless you deliberately place it on a higher zone. In practice, many photographers give bright snow extra exposure compensation relative to the meter reading—one community answer suggests about +2 1/3 stops (for example by rating the film at ISO/5) and then exposing from the snow reading.
If your negatives are consistently too dense when placing snow on Zone VIII, the most likely issue is calibration of your personal film speed/development/printing process rather than snow requiring automatic underdevelopment every time. The Zone System assumes a standardized, tested workflow that produces printable negatives with minimal burning and dodging.
So: meter clean snow carefully, place it consistently, and test your film speed and development for your process. Snow itself is not trivial, but repeated over-dense highlights usually suggest your system needs calibration more than your meter is broken.
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