How should I choose a frame and mat for a photographic print?
Asked 7/16/2018
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I’d like practical guidance on selecting a frame and mat for displaying a photo print. What factors should I consider so the presentation complements the image rather than distracting from it? Are there any common framing principles or terms I can research further?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
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It's purely a matter of opinion, unfortunately.
My own suggestion would be that matted prints always look better than simply framed prints, and some more so with a double mat. I typically go with one solid white or black mat for black and whites with either a black or white frame and for color, go with complementary colored mats and frames that complement as well. For example:

Or, take any rule you think there is and throw it out of the window. While trying to save money on printing a pano, I chose the only "standard" size frame that would fit (cheaper than going custom) and cut the mat along the rule of thirds:

Thick mat / thin mat / thick frame / thin frame / colors / sans-color. It's up to you so grab your print and head over to the craft store to see some mat and frame choices in action.
Originally by user67377. Source · Licensed CC BY-SA 4.0
user67377
8y ago
0
Generated from our catalog & community — verify before relying on it.
There isn’t a single strict rulebook for framing photos; much of it is subjective and depends on the image and your taste. A useful term to research is art framing aesthetics.
Common guidance from framers and photographers:
- Matted prints often look more finished than prints placed directly in a frame.
- For black-and-white prints, simple white or black mats with matching or similarly neutral frames are common choices.
- For color prints, choose mat and frame colors that complement the image rather than compete with it.
- Keep the frame and mat visually balanced with the print size: large prints usually need more substantial mats/frames than small prints.
- A common rule of thumb is that the mat is often wider than the frame, sometimes around twice as wide.
- Avoid making frame width and mat width identical unless they are the same color.
Beyond that, presentation is highly aesthetic: thick vs. thin mat, thin vs. heavy frame, neutral vs. colored mat, and even unconventional mat proportions can all work if they support the image. The most practical approach is to view sample mats and frames beside the print in person and choose what best suits the photograph.
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