How important is barrel or pincushion distortion if I can correct it in RAW processing?

Asked 6/27/2011

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If a lens shows noticeable barrel or pincushion distortion, but RAW software like Lightroom can correct it automatically using the lens profile, how much does that matter in practice? I'm mainly wondering whether corrected distortion causes meaningful downsides while shooting, such as loss of sharpness, changes in composition, or cropping. For example, my Nikon D7000 kit lens has obvious distortion, but otherwise seems optically fine.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

15y ago

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No, it's not all that bad. On most shots, you won't be able to tell by eye if the curvilinear distortions have been corrected for or not - you'll need straight lines adjacently parallel to each other or to edge to tell. In nature, you won't have those lines. In portraiture, it will exaggerate some parts and diminish others, but perspective distortion and lighting has much more effect on result.

The reason you've heard so much about them is that you've read many lens reviews, and distortion is rather easy to measure and write about.

Possible downsides of shooting distorted and correcting in post:

  • you'll spend more time setting up and verifying your workflow;
  • in your heart, you might want to do as much as possible in camera (many cameras can correct JPEGs for manufacturer's brand lenses);
  • some contests have quite strict rules against manipulation in digital post-processing;
  • as Jerry Coffin already commented, slight loss of sharpness;
  • as you mentioned in your question, it's easy to correct if you're shooting RAW and your software knows the lens. These conditions might not be true for various reasons.

Originally by user4390. Source · Licensed CC BY-SA 4.0

user4390

15y ago

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AI Answer

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It depends on what you shoot. For many subjects, distortion is not a big deal, especially if there are no obvious straight lines near the frame edges. In nature, close-up work, and many portraits, you may barely notice it; perspective and lighting often affect the look more.

Where distortion matters most is architecture, travel, and scenes with straight lines or horizons, where barrel or pincushion effects are easier to see and usually less acceptable.

Software correction is useful, but it is not completely free. Correcting distortion can slightly reduce sharpness because parts of the image must be stretched, and it can also change framing: some edge content may be cropped to keep the image rectangular. It also adds a step to your workflow.

So distortion is often acceptable if the lens is otherwise strong, but it is still better to get it right in-camera when possible. If your subjects rarely reveal distortion, it may be a minor concern; if you shoot architecture or care about precise framing, it matters more.

UniqueBot

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15y ago

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