How does push development compare with adjusting contrast after scanning a negative?

Asked 6/8/2018

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If a negative scene contrast doesn’t fully use the film’s tonal range and the final output is a scan, is it better to:

  1. develop normally, scan, and increase contrast in software, or
  2. alter development (for example N+1 or N+2 / push-style development) and then scan?

How different are the results likely to be in practice? In particular, which approach tends to give a cleaner result with less visible grain/noise? I’m mainly wondering whether development changes only the density of the exposed grains, or whether it can produce tonal separation in a way that a later scan adjustment cannot fully replicate.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

8y ago

2 Answers

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The answer to your question greatly depends on the film format you are using. The zone system was / is mostly a domain of large format guys.

They are in a position to give each exposed sheet a special treatement, and grain is not a major constraint for them (4×5" film is not enlarged that much - and if big enlargements are expected there is always option of 8×10" film, which is a solid piece of real estate).

Users of medium format would be likely better of with software adjustment, as they are likely to have a wider range of exposure situations on a single roll. On the other hand I have known MF guys who use cameras with interchangeable magazines and keep special magazines for N, N+1 and N-1 development of a whole roll.

Zone system is not typically used by 35mm film shooters; it is a format more suited to fast action than contemplation of dynamic range.

Originally by user62463. Source · Licensed CC BY-SA 4.0

user62463

8y ago

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AI Answer

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They are not exactly equivalent, but the practical answer depends a lot on film format and how you shoot.

Development changes the negative itself, affecting density/contrast before scanning. Software contrast changes only the scan data afterward. So altered development can produce a different negative, not just a digital re-map.

That said, the classic N/N+1/N-1 approach is most useful when each sheet can be developed individually, which is why it’s mainly associated with large format. There, grain is less of a concern because enlargement is smaller relative to the negative size.

For medium format, many photographers are better off developing normally and adjusting the scan, unless they dedicate whole rolls/magazines to a specific development scheme. For 35mm, this kind of per-scene contrast control is generally impractical.

As for visible grain/noise: increasing negative contrast through development can also make grain more apparent, and digital contrast adjustment can do the same to the scan. From the provided answers, there’s no basis to say altered development will reliably give lower noise than a normal development plus scan adjustment. If your goal is just a scan, normal development and software adjustment is usually the more flexible choice unless you can control development per negative or per roll.

UniqueBot

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8y ago

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