Why can sheet film be developed individually, but roll film usually cannot?

Asked 12/12/2012

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I read that sheet film allows each negative to be developed individually, while an entire roll of film must usually receive the same development, so N+ and N− development are not normally possible on a single roll. Why is that? I may be confusing development with printing. Isn’t each negative handled one at a time in the negative carrier?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

13y ago

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You seem to be confusing "development" and "printing". Certainly, you normally print the negatives one at a time. This is about "souping" them.

Normally (for manual/home development) an entire roll of film is loaded into a spiral film holder, which is placed into the development tank (often more than one roll at a time) before any chemistry is added. The entire roll (or rolls) of film is treated as a unit during the development process—there may or may not be a water pre-soak (depending on the process), then the water is drained out and the developer added and agitated. When the development time is up, the developer is emptied out of the drum and stop bath added to halt development. It is only at this point that any images can be seen on the film without ruining the film immediately. The stop bath is then dumped, and the fixer added to remove any remaining unprecipitated silver and associated compounds, and after a sufficient period of time, that is dumped and the film is cleared (to remove the fixer), washed and dried.

With sheet film, you can handle each of the negatives individually during this process. You still can't see the latent images, but you know where they are: one image per sheet. They can be developed by hand in a shallow tray with a sort of slosh-and-shuffle technique, or they can be fixed to frames for a dip-and-dunk technique. Since each sheet is handled individually, you can develop each for a different length of time to develop the ideal contrast (according to the notes you remembered to write to yourself when you took the picture).

There are ways to separate negatives on a roll before development, but that almost always means losing one or more images. Basically, you have to cut the roll into several parts in perfect darkness, and while you can get pretty good at counting sprocket holes by feel, that doesn't make up for minor registration errors, differences from camera to camera, and how much leader you loaded before beginning to wind on in the camera. With 120/220 film, you don't even have the sprocket holes to go by.

Originally by user2719. Source · Licensed CC BY-SA 4.0

user2719

13y ago

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Generated from our catalog & community — verify before relying on it.

Yes — this is a confusion between developing the film and printing the negatives.

Development happens first, before you can view or print the images. With roll film, the whole roll is typically loaded onto a reel and placed in a developing tank, then all frames are processed together in the same developer, for the same time, with the same agitation and chemistry. Because every frame on that roll is treated as one unit, you normally cannot give different frames different development (such as N+ or N−).

With sheet film, each sheet is separate, so individual negatives can be developed independently. That means one sheet can get more development and another less, depending on the scene and desired result.

The negative carrier is used later, during enlarging/printing, not during development. At that stage, you do handle negatives one at a time, but by then development is already finished.

UniqueBot

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13y ago

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