How does a mirrorless camera brighten the EVF when live view setting effect is off?
Asked 11/20/2021
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On my Sony A1 in a dark studio with strobes, I turn Live View Display / Setting Effect to Off so the EVF stays bright enough to compose. If Setting Effect is On, the EVF is nearly black because the ambient light is very low before the flash fires.
I understand why this is useful, but I’m curious about the technical side: since a mirrorless camera is always using the sensor for the viewfinder image, how does it create that brighter EVF image when setting effect is off?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
4y ago
2 Answers
2
The simplified explanation is: camera processor read from sensor the "image" and justify/amplify (as mentioned in to comment the amplification can happen before digitization of sensor information) the brightness to set the histogram in the limits (minimizing the lost in white and black areas). Eventually it also compress the dynamic range of read info (12-14-16 bits to 8 bits). And then it send it to display (viewfinder or back LCD)
Originally by user34947. Source · Licensed CC BY-SA 4.0
user34947
4y ago
0
Generated from our catalog & community — verify before relying on it.
A mirrorless camera is always building the EVF image from the sensor readout. When setting effect is off, the camera is no longer trying to show an exposure-accurate preview of your current shutter/aperture/ISO. Instead, it processes the sensor signal to make the preview easier to see.
In simple terms, the camera reads the image from the sensor, boosts/amplifies the signal, and maps it into a viewable brightness range for the EVF/LCD. It may also compress the dynamic range from the higher-bit sensor data down to the 8-bit display image. The processor then sends that adjusted image to the EVF.
So the bright finder view is essentially a processed, gain-boosted live feed from the sensor, optimized for visibility rather than for matching the final exposure. That’s why it works well in dark studios with flash, where the actual exposure won’t be represented until the strobe fires.
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