How do I learn to shoot environmental portraits in a photojournalistic style?
Asked 3/18/2011
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2 answers
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I have experience shooting studio portraits, but I want to move toward outdoor, more candid portraits with a photojournalistic feel. What should I study, and what practical approach helps when learning this style?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
8
There's really only one key difference between typical portraiture and PJ-style portraiture: context.
Don't:
- Shoot close ups, where only the subject's face is in the frame
- Use narrow selective DoF to isolate the subject from their surroundings.
Do:
- Find natural subjects. If you want a picture of a doctor, find a doctor, don't find someone and dress them up as a doctor.
- Shoot wide. I don't mean wide angle (although W/As are much better for portraiture than most forum photographers think). You must give the viewer context for your subject. Is it someone who works in a steel mill? I need to see the steel mill behind them. If it's a street vendor, I need to see that they're selling goods on the street, it can't be a picture of them against a blank wall with the title, "street vendor".
- Make it sharp. Not only must the eyes be in focus, the entire face needs to be in focus as well as our supporting items/backgrounds.
Photojournalism, the awesome, documentary/humanist style of photography so many of us enjoy, is like most photography: much harder than it seems. You will often need to go back time and time again, make your subjects comfortable and happy to engage with you. I have a couple of PJ friends and they put in weeks, months or years shooting a series of pics. Some of the people they've had pose for them have literally spent months saying, "no" before finally saying, "I'd like you to take my picture".
Originally by user3050. Source · Licensed CC BY-SA 4.0
user3050
15y ago
0
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A strong photojournalistic portrait is usually less about studio-style isolation and more about context. Instead of tight headshots with heavily blurred backgrounds, aim for environmental portraits that show the subject in a real setting that explains who they are or what they do.
Good starting points are to study respected photojournalists and street photographers. Henri Cartier-Bresson is a classic reference, and regularly looking at work in places like major newspapers, photojournalism award galleries, and curated online collections can help train your eye.
When shooting, use real subjects in authentic situations rather than staged stand-ins. Frame wider so the environment contributes meaning: if the subject is a doctor, show the clinic; if they are a street vendor, show the street and their work. Wider lenses can be very useful when used thoughtfully because they include more of the scene.
Most importantly, practice a lot. Digital makes this easier than ever: shoot often, review immediately, and refine your sense of timing, framing, and context. In short: study great examples, prioritize authentic settings, include meaningful surroundings, and learn by doing.
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