How do I gel a flash to match ambient light color?
Asked 7/20/2010
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When using fill flash with ambient light, how do you choose a gel so the flash matches the scene’s color? For example, what should you use under tungsten or fluorescent lighting, and when is no gel needed outdoors?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
16y ago
2 Answers
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That comes down to color temperature of the ambient light. Flash always has something similar to daylight (5500-6500K), so you need to use conversion gels from daylight.
Most useful gel is CTO (color temperature orange), which will color daylight to tungsten (3200K). Usage is as follows:
- Stick CTO gel on flash
- Set color temperature to tungsten
- Shoot
This has two possible effects:
- If ambient light is tungsten, everything will look just normal
- If the ambient is normal daylight, you foreground will have proper color, and everything else will be toned to blue. This can provide nice color separation effect (example)
Other usual gel is window green, that converts daylight (e.g. flash) to fluorescent-like green. Usage is similar to full CTO.
People also use half- and quater CTO, which convert daylight to 3800K and 4600K. These can be used for less-visible separation, or to warm up light for portraits. (Usual scenario: light some stuff with ungelled flash and the person with 1/4 or 1/2 CTO-gelled flash; an example with a bit more complicated setup can be seen here.)
Full description, examples and links to much more can be found in article at Strobist, overview of various gels can be seen at Rosco.
Originally by user112. Source · Licensed CC BY-SA 4.0
user112
16y ago
0
Generated from our catalog & community — verify before relying on it.
Match the flash to the ambient light’s color temperature. A bare flash is roughly daylight-balanced, so in daylight or sunny outdoor fill you usually don’t need a gel.
For warmer indoor tungsten light, use a CTO gel on the flash to shift it from daylight toward tungsten. Then set your camera white balance to tungsten so both the ambient light and flash-lit subject render naturally.
For fluorescent-type light, a green gel can be used to move the flash closer to that ambient color, with a matching white balance correction.
You can also use partial gels, such as half or quarter CTO, when the ambient light is only somewhat warm rather than fully tungsten.
Gels can also be used creatively rather than neutrally: for example, adding a CTO to flash and then cooling the camera white balance can keep the subject looking normal while making the background go blue.
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