This look is usually a mix of lighting and editing, not just one slider.

A big part of it is often shooting in soft, warm light—typically golden hour. The lack of harsh shadows suggests gentle ambient light, and possibly added fill light.

In post, a global white balance shift can get you part of the way: warming the image and nudging tint toward green/yellow rather than magenta/blue. One answer noted that reversing a similar look required moving toward blue and magenta, which implies the edited version had been pushed warm and slightly green.

But the effect often goes beyond global WB. Many examples also use local adjustments or mixed lighting: different parts of the image may be pushed in different directions. For example, skin may stay warm, while shadows, clothing, or eyes are biased cooler; backgrounds may gain extra red/magenta; greens may be selectively muted or shifted.

In Lightroom: start with warmer WB, fine-tune tint, then use HSL/Color Grading and local masks. In Photoshop: use layers/masks for selective color changes. So yes, Lightroom can do much of it, but Photoshop gives more control for area-specific color work.