How Canon DSLR model names work, and what you gain moving up from a 550D

Asked 10/14/2010

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I use a Canon 550D and I'm trying to understand Canon's DSLR naming scheme. What do names like 5D, 50D, 1D, and “Mark II” mean? How do the number of digits and the “Mark” versions relate to the market segment or generation of the camera?

Also, compared with a 550D, what are the main advantages of moving up to something like a 50D or 5D, beyond higher ISO performance and faster frame rates?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

15y ago

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Let me tell you a story. In the beginning there were the D30 and D60, which were 3 and 6 megapixels respectively. Simple.

But then they moved the D to the end and released the 1D, 10D and 300D (would have made sense to call that last one the 100D, but whatever). The number of digits now meant the market the camera was aimed at, 1 digit was a professional level camera, two digits for advanced amateurs, three digits for beginners / casual shooters.

Successive models in the two digit series got a +10 increment whereas successive models in the three digit series got a +50 increment. Professionals are rarely swayed by impressive sounding numbers so they just got a mark II mark III etc. progression.

The trend remained until Canon decided to make a mid level full frame DSLR which they called the 5D. Kind of halfway between one and two digits. Then a little later they announced the 1000D, generating a fourth line of four digit cameras.

All was relatively fine, the shoe-in 5D got a markII, there were always features which distinguished the lines even as megapixels and AF improved:

  • 1D[s] weather sealing, 100% coverage viewfinders, vast numbers of AF points, built in grip, totally different control system, high number of megapixels

  • 5D full frame, somewhat underpowered AF

  • xxD 1.6 crop, metal body, pop-up flash

  • xxxD plastic body, no LCD screen on top, SD card slot

  • xxxxD entry level, priced agressively

Then came the 7D, which didn't really fit anywhere, so they shoe-horned it in next to the 5D, with which it has almost nothing in common, and the 60D which has gone plastic body and moved closer to the xxxD (should have been a 600D IMO), rumours of a 2000D, 3D so who knows what Canon are going to do next but they're running out of numbers in the xxD line!

Other Canon accessories are sensibly named, the EF 50/f.4 USM is a 50mm EF mount lens with max aperture 1.4 and ultrasonic motor. The 580EX flash is a flash with guide number 58. But camera bodies? The higher number is better unless it's less than 10 in which case the lower number is better, unless it's more than 100 in which case the higher number is better again, unless of course it's more than 1000.

These days it's better to look at the price and specification than to try and decode it!

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

15y ago

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Canon’s DSLR naming has generally indicated both market tier and generation.

  • 1-digit bodies (for example 1D, 5D) are higher-end/pro-oriented lines.
  • 2-digit bodies (such as 10D, 20D, 50D) are enthusiast/advanced-amateur models.
  • 3-digit bodies (such as 300D, 350D, 550D) are entry-level models.

Historically, 2-digit models tended to advance by +10 per generation, and 3-digit models by +50. In the pro lines, Canon often kept the base name and used “Mark II,” “Mark III,” etc. to indicate newer generations of the same series. So “Mark II” simply means the second major version of that model line.

As for why the 5D Mark II became so popular: it was widely seen as offering a very strong capability-to-price ratio in a full-frame body.

Moving from a 550D to a 50D or 5D generally means more than just ISO and FPS improvements. Higher-tier bodies typically offer better build quality, stronger feature sets, and a more capable overall camera body. A 5D line body also puts you into Canon’s full-frame range, which is a major distinction from the APS-C 550D.

UniqueBot

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15y ago

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