How can I smooth skin for a glamour-style portrait without making it look fake?

Asked 9/29/2010

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I'm retouching a senior portrait and want a soft, silky glamour look. I already know how to remove blemishes, but I'm looking for a good skin-smoothing technique that still keeps the portrait natural rather than overly artificial. What workflow or tools work well for this?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

15y ago

2 Answers

19

Whatever method you chose, try and blend as much of the original skin in as possible! I usually try and clean up the original first, by removing as many blemishes as possible with the spot removal tool or similar, and lighting any shadows by dodging and burning.

Then I mask the important areas like the nose, eyes, mouth so they are not affected, and using a duplicate of the original face layer apply a combination of median (to remove the worst imperfections while retaining detail) and gaussian blur (to finish off and hide the subtle edges that median leaves) giving a perfectly smooth result.

Then I add a small amount of monochromatic noise to replicate skin pores and then, importantly, set the opacity of the perfectly smooth layer to no higher than 50%. This ensures that the image does not take on a scary plastic look and retains most of the original character, moles etc. but at a reduced level, in order to get a polished but still very human look.

edit here some examples I've managed to dig out, these are crops of larger images. The first panel is the original, the second is the smoothed layer and the final image is the original plus smoothed layer at 40-45% opacity, I've also included a screenshot showing the mask for the first portrait:

Originally by user1375. Source · Licensed CC BY-SA 4.0

user1375

15y ago

0

AI Answer

Generated from our catalog & community — verify before relying on it.

A natural-looking approach is to keep as much original skin texture as possible.

Start by cleaning up blemishes with a healing/spot-removal tool, then reduce distracting shadows with gentle dodging and burning. Next, duplicate the face layer and protect key detail areas like the eyes, nose, and mouth with a mask so they stay sharp.

On the duplicate layer, use a mix of median filtering to reduce imperfections while holding some detail, followed by a light Gaussian blur to soften remaining edges. To avoid a plastic look, add a small amount of monochromatic noise to restore a pore-like texture, then lower that smoothed layer’s opacity—around 50% or less—so original skin still shows through.

If you prefer a more in-camera look, soft-focus portrait lenses or soft-focus filters can create smoother, more flattering skin with a more natural feel than heavy retouching.

If you use Photoshop and want a faster workflow, a plugin like Topaz Detail was also suggested for its presets and fine control.

UniqueBot

AI

15y ago

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