How can I light night portraits outdoors without harsh on-camera flash shadows?
Asked 8/5/2013
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I’m shooting portraits of friends at night on a rooftop bar, with a bright cityscape in the background. Ambient light on the subjects is very low, there are no nearby walls or ceilings to bounce from, and the space is too crowded for tripods, reflectors, or a larger off-camera setup. Using a hot-shoe flash gives me either good background exposure with overlit subjects, good subject exposure with a too-dark background, or harsh shadows under brows, noses, and chins from direct flash. What lightweight flash approach can help balance the people and city lights while reducing those hard shadows?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
3
If you weren't doing this already, use slow sync flash. Then you can use the flash to illuminate the people in the foreground, while at the same time exposing correctly for the cityscape in the background. You will need a tripod (or equivalent way of keeping the camera steady), and this way you also have the luxury of choosing a low ISO.
As for the awkward shadows under their nose and eyebrows, this is just generally the result of having direct (non-bounced) flash.
If you only have the camera's built-in flash there's not much you can do about this except to try and move further away and crop/zoom instead. But since you have a hot-shoe flash, assuming you can rotate it, you may be able to swivel it and bounce it off a white clipboard or something. When you bounce flash, it doesn't always have to be bounced off a wall, you can always bounce it off a smaller object. Even bouncing it off a white business card will give it a slightly softer quality than direct flash (probably better than a diffuser you may pay good money for). Try, for example, bouncing it off the pages of a book or newspaper - as long as it's mostly black and white it should be good. Try bouncing it to the side instead of above for a more flattering angle to the shadows.
It sounds like you're probably not interested in more elaborate flash set-ups such as multiple flashes or off-camera flashes since this was just a casual outing with friends and you need to carry the stuff with you, but if you are, there's a whole other world of stuff you could get into!
Originally by user3422. Source · Licensed CC BY-SA 4.0
user3422
13y ago
0
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Use slow-sync flash to balance the city lights with your subjects: expose for the background with a slower shutter speed, then let the flash light the people. That helps keep the skyline visible instead of turning it black.
The harsh shadows are mainly caused by direct on-camera flash from just above the lens. With no walls or ceiling to bounce from, your best lightweight options are to soften or redirect the flash:
- add a diffuser to reduce the harshness of direct flash
- use a ring-flash style solution (or ring adapter for your speedlight) to put the light more evenly around the lens and minimize directional shadows
- if possible, swivel the flash and bounce it off a small white card/clipboard-type surface
If you do use slow sync, camera stability becomes more important because of the slower shutter speed, so hold as steady as possible or brace yourself if a tripod isn’t practical.
In short: balance ambient with slow sync, and reduce direct-flash shadows with a diffuser, ring-flash adapter, or small bounce surface.
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