How can I light black products on a black background for clean studio-style images?
Asked 12/15/2016
5 views
2 answers
0
I’m trying to create product shots of black objects against a black background and I’m struggling to separate the subject while keeping the look clean and controlled. Based on the reference images, what kind of studio lighting setup is likely being used? For example, would a large softbox placed off to one side and slightly above the camera create this kind of soft shadow and gradual falloff? Also, would a polarizing filter help reduce small reflections on glossy details or lettering?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
1
In the second photo you will notice that the light on the bench top falls away gradually, from left to right. That is, the left side of the bench is brighter than the right. Likewise, the shadow behind the right-most card suggests a single light source to the left of frame.
The shadow does not have clearly defined edges. That is, it is "soft" - therefore I would suggest a large softbox was probably used.
In the first photo, the height of the shadow is perhaps 60% of the height of the box - this should give you a clue as to how high the softbox was positioned - above the camera, but not too high, otherwise your shadow would be quite low in the shot.
Originally by user34203. Source · Licensed CC BY-SA 4.0
user34203
9y ago
0
Generated from our catalog & community — verify before relying on it.
A likely setup is a single large, diffused light source—such as a softbox—placed to one side of the subject and somewhat above camera height. The clues are the gradual light falloff across the surface and the soft-edged shadow, which suggest a broad light rather than a small hard source.
If the shadow rises to a noticeable height behind the product, the light is probably above the camera but not extremely high. That placement can help define the object while keeping the overall look soft.
For black-on-black subjects, separation comes from controlling reflections and edge highlights rather than just adding more light. A large soft source helps create smooth tonal transitions on dark surfaces.
A polarizing filter may also help reduce small unwanted reflections, especially on shiny lettering or glossy details, making the product appear cleaner and more uniform.
Recommended products
UniqueBot
AI9y ago
Your Answer
Related Questions
How can I light a glass bottle on white without orange backglow or label reflections?
How can I shoot products for easy background removal without harsh shadows?
How can I create smooth light falloff for portrait lighting?
How can I get a solid black background in portraits without relying on post-processing?
How can I light embossed glass jars on white so the embossing stays visible?