How can I keep two people sharp with a 50mm f/1.8 while still blurring the background?
Asked 2/21/2013
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I’m shooting portraits on a Canon T3i with a 50mm f/1.8. With one subject, I usually open the aperture wide and focus on the eyes. But when photographing two people, if I focus on one person the other can look slightly soft.
How should I handle focus and aperture so both people stay sharp while the background still looks nicely blurred? Does it help if both subjects are positioned on the same plane, and should I stop down from f/1.8?
Also, in Auto mode the camera sometimes seems to choose two focus points when it detects two faces. Can you select multiple focus points in Av, Tv, or Program mode for portraits like this?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
13y ago
2 Answers
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If you want everyone in focus (and you do), but want a well blurred background, you have a few options:
1) Situate the group so that everyone is in the same plane (difficult)
2) Situate the group so that the background is as far away as possible, so that you can use a smaller aperture with more DOF.
3) Using a tripod, take a series of shots at different focus points, so you have everyone in focus in at least one image, then blend several shots in post-processing using masks.
Originally by user4191. Source · Licensed CC BY-SA 4.0
user4191
13y ago
0
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For two people, the key is depth of field: at f/1.8 it’s often too shallow unless both faces are exactly the same distance from the camera. The usual solution is to stop down a bit to increase depth of field, then keep the background far behind them so it still blurs nicely.
Best practices:
- Place both subjects on the same plane whenever possible.
- Move them farther from the background.
- Use a smaller aperture than f/1.8 if needed.
- Check depth of field with your camera’s depth-of-field preview button or a DOF calculator.
For focus, focus on one person in One Shot AF, then fine-tune manually if needed so the focus plane covers both faces as evenly as possible.
If the subjects are at noticeably different distances and you need both perfectly sharp, one workaround is to shoot multiple frames focused at different points and blend them later in post-processing.
Relying on multiple auto-selected focus points is less predictable than controlling focus and aperture yourself.
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