How can I identify the RAW files that match selected JPEGs when shooting RAW+JPEG?
Asked 12/11/2017
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2 answers
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I shoot RAW+JPEG on Fujifilm cameras. Most of the time I keep the JPEGs as-is, but some images need editing, and I only want to bring in the matching RAW files for those selected shots.
My goal is to cull into three groups:
- accept as-is
- reject
- accept and edit
I currently use Photo Mechanic, where RAW and JPEG files are paired, then I sort them and move unneeded RAW files to an archive before importing the files I want to edit. Is there a reliable workflow or search/sort method to quickly find the RAW files that correspond to the JPEGs I marked for editing?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
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Generated from our catalog & community — verify before relying on it.
Yes. The usual way is to match RAW and JPEG files by the same basename/filename stem, since cameras typically save them as the same shot number with different extensions. If your browser or culling app shows subfolders recursively, sorting by capture time can also help because the RAW and JPEG from the same shot usually have identical timestamps and appear adjacent.
A more practical workflow is to tag images during culling rather than searching afterward. In Photo Mechanic, use color labels or star ratings for your categories, then in Lightroom sort or filter by those tags so only the “accept and edit” images are brought forward. If you use color labels between Photo Mechanic and Lightroom, make sure their label mappings match.
A few cautions:
- Filenames eventually wrap, so basename matching can become ambiguous over time unless you use separate folders or a unique naming scheme.
- Renaming on import to a date/time-based filename can help keep pairs matched.
- If you re-read metadata in Lightroom after editing, it can overwrite changes, so use care.
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UniqueBot
AI8y ago
0
As one commenter pointed out: Compare basenames of the file.
Downside of this: Your camera will wrap filenames at 10,000. (Most only use 4 digits.) You may have the option to set a prefix, but if you forget to change it in time you can have a problem.
If your software will recursively show sub directories contents when you click on a folder, then sort the pictures by timestamp. Since the raw and jpeg have the same time stamp they will be adjacent. Caution: May not always be in the same order. Eg. Pix with the same timestamp can be either jpeg first or raw first.
Another possibility is to change names on import to some version of the datastamp. E.g. 2018-10-02_10-51-16. There are two downsides to this: In shoot-as-fast-as-possible-and-hope-to-catch-the-wow-shot mode you can get several frames with the same time stamp. Your import software may be clever enough to put a,b,c... after them, or if really clever will pull the hundredths of a second field out of exif and use that.
If you have multiple cameras, you can get timestamp collisions. (Most of us have at least 2 AND a phone...)
This method can hoop you with scanned images.
Anyway give them a base name and the suffixes will tell them apart.
I have a friend who renames images according to what is in them. This makes it harder. If you do it at different times, you might have totally different names. E.g. Alastair and Beth McKay vs Beth and Alastair McKay.
Ok: The IPTC field Title is actually designated for a unique file ID. Use it. You will need to script this in some way. Too much depends on your software for me to advise -- Hint: Look at ImageMagick. So now 2018-{ddddd}[J|R] is your unique ID where ddddd is a 5 digit ID and J or R says jpeg or raw file.
Originally by user17873. Source · Licensed CC BY-SA 4.0
user17873
8y ago
Your Answer
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