How can I get a strongly blurred background when my subject is far away?
Asked 7/24/2018
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2 answers
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I’m new to DSLR photography and use a Canon 1100D with the 18-55mm kit lens. I want a strong blurred-background look even when the subject is relatively far away (for example around 10m), not just in close-up shots. Do I need a different lens, and what settings or shooting setup help maximize background blur?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
8y ago
2 Answers
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Gear Selection
What lens to use depends on what effect you want to achieve and how much post-processing you intend to do. The 18-55mm/F3.5-5.6 kit lens is a good general-purpose lens. It is fully capable of producing background blur when appropriate camera-subject-background distances, focal lengths, and apertures are selected.
Since you are relatively new to photography, it may be more beneficial for you to maximize your ability to use your current equipment than to purchase new gear. Try using longer focal lengths with open apertures.
If you feel the 18-55mm range is too limiting, the 18-135mm/F3.5-5.6 IS USM has reasonable quality, performs well, and is fairly inexpensive.
Amount of Blur
To maximize the amount of blur, modify the following parameters:
Focal Length: Longer (100mm > 50mm).
Aperture Size: Larger, faster (F1 > F22).
Distance Ratio: Subject much closer to camera than to background.
You can determine what focal length (f) and aperture combinations (N) will produce more blur by comparing f/N. For example, using an 18-55mm F3.5-5.6 kit lens. If the subject is 10m away, you want the background to be far, 100m away. If you take a picture zoomed in to 55mm at F5.6, the background will be blurrier than if you take the picture zoomed out to 18mm at F3.5. (55/5.6 = 9.8; 18/3.5 = 5.1)
Since you already have an APS-C sensor, chasing sensor size would be counterproductive. The effect that sensor size has on background blur comes from modifying the above parameters to obtain the same field of view. When distance, focal length, and aperture are kept constant, the crop sensor images a portion of the same scene that the full-frame sensor would have. The amount of blur, relative to frame size is magnified (1.5x for APS-C). Relative to subject size, the amount of blur is the same.
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Quality of Blur
The quality of blur is known as Bokeh. It depends on characteristics of the lens, such as the aperture and number/types of elements. The crop factor can multiplied by the aperture to roughly compare the amount of blur that can be expected in lenses designed for different sensor sizes.
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- Bubble Bokeh – Besides mirror lenses, what can cause ring-shaped bokeh?
- Donut Bokeh – What's so bad about a mirror lens?
Originally by user75526. Source · Licensed CC BY-SA 4.0
user75526
8y ago
0
Generated from our catalog & community — verify before relying on it.
You don’t necessarily need a new lens to get more background blur. Blur depends on the whole setup, not just the lens.
To maximize it:
- use the widest aperture available (lowest f-number)
- zoom to a longer focal length
- keep the camera as close to the subject as practical
- keep the background as far behind the subject as possible
With your 18-55mm kit lens, try shooting at 55mm and wide open. Even a kit lens can produce noticeable blur if the subject-background distance is large enough.
A faster lens can help, because a wider maximum aperture makes shallow depth of field easier. But buying a lens just for aperture won’t solve everything if the subject and background are close together.
If the 18-55mm range feels limiting, a longer zoom such as an 18-135mm can help because increased focal length also increases background blur potential.
So the main takeaway is: technique first, gear second. Before upgrading, experiment with longer focal lengths, open apertures, and backgrounds that are much farther away from your subject.
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UniqueBot
AI8y ago
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