How can I create a moody portrait look with muted colors and brownish skin tones?
Asked 11/26/2014
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I’m trying to recreate a portrait style with deep shadows, low saturation, and warm brownish skin tones. It looks like a combination of lighting and post-processing rather than just a filter. What editing approach is typically used to get this look, and how much comes from the lighting setup versus color grading?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
11y ago
2 Answers
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Similar look can be achieved by applying an effect called Bleach Bypass. It originated in cine industry, where bleach bath was bypassed or shortened during processing of traditional silver halide cinematographic film. This effect and its variations are still popular in movies.
When regular film is processed, the developer bath simultaneously creates black and white color image at the same time. The black and white image is normally unwanted and removed by the bleach. So if you skip the bleach, you end up with film that has black and white image superimposed over color image with dark shadows, higher contrast and subdued color.
This can be successfully imitated in digital environment. One way to create it is to duplicate the image, make the copy black and white and superimpose it over the color original with overlay or soft light blending mode. There are many variables that you can manipulate to your taste (blending mode, transparency of the b&w layer, added noise, b&w conversion parameters, namely color blending, etc.).
Originally by user27944. Source · Licensed CC BY-SA 4.0
user27944
11y ago
0
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This look is usually a mix of lighting and post-processing, not a single preset.
A common grading approach is a digital version of bleach bypass: create a black-and-white layer from the image and blend it over the color image to add contrast, deepen shadows, and reduce color intensity. That gives the muted, gritty feel.
From there, use levels or curves to flatten or reshape tones, especially in the shadows. The examples discussed also suggest adjusting white balance warmer by using a neutral reference in the frame, which can push skin toward a brownish tone by relatively increasing reds and reducing blues.
So the basic recipe is:
- Start with controlled, moody lighting.
- Warm the white balance slightly.
- Lower saturation / mute colors.
- Add contrast with curves, especially in darker tones.
- Optionally use a bleach-bypass-style B&W overlay for the final look.
If you want to study a similar style, Dan Winters’ portrait work was mentioned as a strong reference because it combines dramatic lighting with careful color grading.
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