How can I bring out detail in both a dark subject and bright clouds from one RAW file in RawTherapee?
Asked 3/16/2021
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2 answers
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I have a RAW photo with a dark bird against bright, textured clouds. In RawTherapee, one edit brought out detail in the bird by lowering blacks and increasing shadow compression, but the sky became flat. A different edit using tone curves, highlight recovery, and strong highlight compression brought out the cloud detail, but the bird lost detail.
Is there a good way to combine these adjustments so both the bird and the clouds retain detail in a single final image? If so, should this be done inside RawTherapee with local adjustments, or by exporting and using layers in another editor? Also, what kinds of adjustments are typically used to increase cloud contrast and texture without ruining the subject?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
5y ago
2 Answers
5
As noted in comments, look into layering.
I did this in Photoshop, as I don't have Raw Therapee. You could do the same in Gimp etc.
Select the bird & separate it to a new layer, by copy/paste. Then you can treat each layer individually. Essentially you can push the sky darker & the bird lighter, without each interfering with the other.
I over-cooked these edits to show how far you can push it. It's all a bit crunchy because of the jpg start-point plus I didn't really take the required care to accurately select the bird. You could do a whole lot better from the original, though you may need to save it out as a 16-bit TIF to manipulate in this way, retaining the highest quality. I don't know of anything that can edit a RAW in this way.
Zoomed to bird, more careful selection technique & some feathering of the edges [no pun intended] could smooth this out nicely.
One additional trick. This type of edit where you are pushing adjacent areas hard in different directions tends to make sharp lines at the edges, worsened by the original bird in this case underneath. Use the healing brush to eliminate the bird from the lower layer, so you only have to concentrate on the upper for matching/blending.
This also allows you to use masks to in effect 'cross-fade' the edges rather than blurring them [I didn't do that here, as you can probably tell]
Incidentally, just for fun, this also allows you to then move the bird wherever you like ;)
Originally by user57929. Source · Licensed CC BY-SA 4.0
user57929
5y ago
0
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Yes—this is usually handled with local adjustments or layers rather than one global set of exposure controls.
A practical approach is to make separate edits for the bird and the sky, then combine them with masking/layers in an editor like GIMP or Photoshop. Put the bird on its own layer or mask the sky and subject separately so you can brighten shadows on the bird while darkening/compressing highlights and shaping contrast in the clouds.
If you want to stay in RawTherapee, newer versions include local adjustments that can target specific regions, which may help achieve a similar result.
For cloud detail, the answers mention using tone/exposure curves, highlight recovery/compression, and wavelet-based contrast to enhance both small dark features and larger bright structures. These tools can increase texture, but they work best from the RAW file and can look harsh if pushed too far.
For best quality, export to a high-bit-depth format such as 16-bit TIFF before layered editing. Also keep expectations realistic: if the bird is very small or lacks captured detail, no edit can fully restore detail that was never recorded.
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