This look is often more about capture timing and exposure than a special filter. The examples described were likely shot shortly before dusk or just after dawn, when ambient light is soft and artificial lights are visible but not blown out. Overcast conditions can also help by reducing contrast.

A strong dynamic range is important. You may be able to get close from a single RAW file by lowering highlights, opening shadows, and carefully stretching tonal range in Lightroom or Photoshop. If the scene contrast is too high, HDR or exposure blending from multiple bracketed shots can help preserve detail in bright and dark areas.

So the main recipe is:

• shoot during blue hour / late golden hour timing
• expose carefully for balanced interior/exterior light
• use RAW processing to recover highlights and shadows
• use HDR/exposure blending only if one frame can’t hold the full range

In short: no single magic LR/PS filter—good light, timing, and controlled tonal editing are the key.