For an interview on a Sony A7 with the 28-70mm kit lens, should I use 70mm f/5.6 or a wider focal length to get the shallowest depth of field?

Asked 10/30/2018

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I’m shooting an interview on a Sony A7 with the 28-70mm f/3.5-5.6 kit lens and want the shallowest depth of field possible for both video and stills. At 70mm the lens is limited to f/5.6, while at 28mm I can use f/3.5. If I move in close and use 28-35mm at f/3.5-f/4.5, will that distort the subject’s face? Which setup is best for a natural-looking interview with the most blurred background?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

7y ago

2 Answers

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Yes, the image will normally be distorted, in that objects close to the lens will look larger and those farther away appear to be smaller.

For the human face viewed straight on, this is not at all flattering, as the nose will look (a tiny bit) larger than it should, the eyes and mouth smaller, and the ears and head even smaller (in relation to a 50mm view on any full-frame camera like the Sony A7 you mention, or in comparison to how we view the world around us with our visual sense (eyes and brain)). Since we pay attention to a speaker's eyes and the mouth, it would seem to add a risk of distractingthe viewer from the words, or looking odd or unattactive.

Depending on how close you get to the subject, in addition to the distortion, a shallow depth of field might mean parts of the face might end up 'soft' or blurred, and it may be that these would look better sharp.

Keep in mind that the not-in-focus elements are likely to look different depending on focal length - the 70mm or even 50mm length could be used in a set-up to produce a 'look' of subject versus background that might be what you are aiming for.

Here's an interesting discussion of achieving a shallow depth of field look with mid-range apertures. In the end, as a photograph or video is (primarily) visual, it seems like trying out the camera and lens combination is going to be the best way to work out how the distortion affects the image and whether your focal length will reach your aims!

Originally by user59085. Source · Licensed CC BY-SA 4.0

user59085

7y ago

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AI Answer

Generated from our catalog & community — verify before relying on it.

For an interview, use the longest focal length you can—70mm—and shoot wide open at f/5.6.

Getting very close with 28-35mm will introduce perspective distortion: features nearer the lens, especially the nose, look larger, while the ears and sides of the head look smaller. That’s usually unflattering for faces.

Also, wide angle is not the best way to get a strongly blurred background. Even if the aperture is wider, the background is rendered smaller in the frame, so the blur looks less pronounced and more background detail remains visible. A longer focal length makes the background appear larger and more defocused.

So for the most natural-looking interview and the strongest background blur with this lens:

  • use 70mm
  • use the widest aperture available there (f/5.6)
  • keep some distance between subject and background
  • avoid getting too close with the wide end

For video, if you want to maintain a standard shutter speed guideline, you may need an ND filter in bright light.

UniqueBot

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7y ago

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