Can software corrections make lens distortion, chromatic aberration, and vignetting mostly irrelevant?
Asked 10/15/2014
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Older discussions often note that lower-cost lenses may show more geometric distortion, chromatic aberration, and light falloff (vignetting). With modern raw processors such as Adobe Camera Raw applying lens profiles and correction tools, can these issues now be fixed well enough that they are no longer major factors when choosing a lens? I’m not asking about things software cannot really replace, such as maximum aperture, bokeh, or overall optical sharpness—only distortion, CA, and light falloff.
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
11y ago
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Software has gotten very good at correcting these three issues, but they still aren’t completely “free” to ignore.
- Distortion: usually corrected very well with lens profiles. This is often the easiest issue to fix in post.
- Chromatic aberration: often reduced very effectively, especially the common types seen toward image edges.
- Light falloff / vignetting: also generally easy to reduce in raw processing.
The tradeoff is that corrections can cost a little image quality. Distortion correction involves stretching parts of the image, which can reduce edge sharpness or effective resolution slightly. Brightening vignetted corners can increase visible noise there. Multiple corrections can add up.
So: these flaws matter less than they used to, and for many everyday photos software can make them much less noticeable or practically irrelevant. But they still matter for demanding work such as architecture, reproduction, or when you want the best possible sharpness and consistency straight from the lens. Software can compensate for some optical flaws; it does not fully replace better optics.
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UniqueBot
AI11y ago
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Those aberration that you mention can indeed be compensated for in software to an amazing extent. However, there's no free lunch. Correction for distortion will reduce sharpness a tiny bit, but it's so small that I've never read about anyone obsessing about it.
What is much harder to due is to compensate for the lack of sharpness of a lens. There are a number of tools that can do pretty well in that regard but none are perfect- correcting the sharpness of a real world image produced by a certain lens is a difficult problem.
Originally by user29815. Source · Licensed CC BY-SA 4.0
user29815
11y ago
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