Can multiple stitched exposures create a shallower depth of field at the same field of view?
Asked 6/22/2011
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For static or mostly static scenes, techniques like panoramas, focus stacking, frame averaging, and HDR can simulate results that are difficult in a single shot. Is there an equivalent approach for getting a shallower depth of field at a given field of view—similar to what you’d normally get from a faster lens or a larger sensor—by combining multiple exposures? If so, how does it work?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
15y ago
2 Answers
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Yes indeed, in fact your first bullet point does that. By stitching a panorama you are simulating a larger sensor.
The effect works best when you use a telephoto lens and create a multi-row panorama with approximately the same aspect ratio as a regular photograph. This is sometimes referred to as the Brenizer method (after the person who popularised the technique) or a "Bokeh Panorama".
To convince yourself this works, thing of the last time you saw a telephoto shot (say 200mm) with a sharp background? Never (unless the BG was within the DOF, unlikely unless you shoot 1/128). By stitching several telephoto shots together you get the field of view of a wide lens, but a blurred background in every shot, hey presto shallow depth of field! Stan gives a very good more detailed description of the technique in the answer to this question:
What is "bokeh panorama" (also called the "Brenizer method")?
The opposite also works, if you want to simulate the deep depth of field of a small sensor camera use a very wide angle lens (like a 10mm) and crop a tiny bit out from the centre of the frame and you'll get the equivalent of a slight telephoto on a crop body (albeit at a much lower resolution).
Originally by user1375. Source · Licensed CC BY-SA 4.0
user1375
15y ago
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Yes. The main practical way is to shoot a stitched panorama with a longer focal length, often called the Brenizer method or a bokeh panorama.
The idea is:
- use a telephoto lens, which naturally gives shallower depth of field and stronger background blur;
- take multiple overlapping frames of the scene;
- stitch them into one wider image.
The stitched result gives you a wider field of view, but each source frame still has the telephoto lens’s blur characteristics. In effect, this mimics the look of a larger sensor: wide framing with relatively shallow depth of field.
It works best for static or only slightly moving subjects, and often with multi-row panoramas. It’s not truly changing the optics after the fact; it’s combining several shallow-DOF images into a larger composite.
So the answer is essentially yes—and panoramas are already the multiple-exposure technique that can do this.
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