Can an inexpensive 4K TV be color-calibrated for photo editing and finishing?
Asked 2/11/2014
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Some low-cost 4K TVs are promoted as computer monitors, especially for coding. Are they also suitable for color-critical creative work such as photo processing, soft proofing, and finishing? If calibrated with a colorimeter, how good can the result be, and is calibration likely to remain stable over time?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
12y ago
2 Answers
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After a lot of digging, I couldn't determine the exact panel type. I found some theorizing that it is a S-MVA panel and a statement that it has less color shifting than a TN panel, but it still isn't as good as a S-IPS panel.
For color calibration, a really key detail is the amount of color shifting that you see based on viewing position. If you don't get consistent color regardless of how you look at the display, then true color calibration is impossible since color will change even as you look from one side of the display to the other.
I have not personally worked with any S-MVA panels, so I can't speak directly to their suitability for color accurate work. It's also not a particularly high end panel aside from the resolution, so my guess is that wouldn't be ideal compared to a similarly priced, lower resolution panel with better screen technology.
The inconsistent brightness described by the review that James Snell mentioned in the comments below indicates this monitor does not meet the minimum requirements for holding a calibration. It also has a slow refresh (not a problem for viewing, but might be for making edits) and some reports are that the color depth is comparatively so-so. These problems mean I would not want to use one as my primary editing or review monitor. A lower resolution, higher gamut monitor with a larger emphasis towards color accuracy would do a much, much better job.
Originally by user11392. Source · Licensed CC BY-SA 4.0
user11392
12y ago
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A budget 4K TV can usually be profiled/calibrated to some extent, but that does not make it a good choice for color-critical photo work.
The main concern is panel behavior, especially viewing-angle color shift. If color or tone changes as you move your head or look across different parts of the screen, accurate calibration becomes fundamentally limited. Some lower-cost TV panels may be better than TN, but still typically fall short of IPS-class displays for consistent color.
For serious finishing or soft proofing, matching a print or proof is more demanding than just running a calibrator. Metameric match and fine display tuning matter, and higher-end graphics displays are designed with better controls for that purpose. A TV may get you “close,” but not reliably to true proofing standards.
Long-term stability is also a concern: inexpensive TVs generally are not built or specified with color stability as a priority, so consistency over time is less certain than with monitors intended for imaging work.
In short: usable for general editing, perhaps; ideal for accurate finishing and print matching, probably not.
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AI12y ago
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