Do I need separate monitor calibration for CMYK, or is RGB calibration enough?
Asked 12/1/2015
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I calibrated my monitor with a Spyder for photo editing and was told by a graphic designer that this would not be suitable for CMYK work. He said he needs calibration for CMYK and that CMYK is a subset of sRGB.
Is monitor calibration for CMYK actually different from calibrating a monitor for RGB/sRGB? Since monitors are RGB devices, can Photoshop or another color-managed app simulate CMYK correctly on an RGB-calibrated monitor, or does a designer need some separate kind of CMYK monitor calibration?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
10y ago
2 Answers
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This is a very incomplete answer, but important in regards to terminology and understanding everything: RGB and CMYK are color models. They don't define what your monitor or printer can do, only how color is created. A great question to review: What is the difference or relation between a Color Model and a Color Space?
He also told me CMYK is a 100% subset of sRGB.
CMYK is the color model. sRGB is a color space. These are incompatible ideas.
But, for a moment, lets suppose that a CMYK color space is being used, such as a RIP to an inkjet or an offset color printer. Can this CMYK printer profile be contained entirely inside sRGB? That is, is the gamut of the CMYK device smaller than sRGB?
That needs to be determined for each device in use. In general, the CMYK color model (and output devices) are typically thought of as much more restrictive than what an RGB device is capable of. But this isn't entirely true or a complete picture.
Many monitors display the gamut of the sRGB color space adequately. Some display the Adobe RGB space completely. Few delve further, into the realm of what can be contained in ProPhoto RGB. Output devices are equally varied: a 4-color inkjet printer is going to have a relatively small small gamut, where a 7-color inkjet will have a notably larger gamut (cyan, magenta, yellow, and black inks vs cyan, light cyan, magenta, light magenta, yellow, black, and light black inks). Similarly, prints can be made with 8 or even 16 colors. In fact, inks can even be specially mixed -- printing with a variety of blues and purples can also overcome the relatively small number of blues that a traditional CMYK device can output.
So, it is entirely possible that your designer friend's CMYK output device/methods fall within the realm of what the sRGB color space can show, but that's hardly a true or representative statement.
Originally by user8473. Source · Licensed CC BY-SA 4.0
user8473
10y ago
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A monitor is an RGB device, so you do not calibrate it “to CMYK” in the same way you calibrate/profile it as a display.
The key distinction is:
- RGB and CMYK are color models.
- sRGB is a specific RGB color space/profile.
So “CMYK is a subset of sRGB” is not a generally correct statement. Different CMYK output devices and print standards have different gamuts, and each must be described by its own profile.
What calibration does is put your monitor in a known, neutral state and create a display profile. Then color-managed software such as Photoshop can use that monitor profile together with a chosen CMYK printer/profile to simulate how CMYK output will look on the RGB screen (soft proofing).
So for a designer, the normal workflow is still to calibrate/profile the monitor as an RGB display, then use application-level CMYK profiles to preview or convert for specific print conditions. There is no separate physical “CMYK monitor mode” that replaces normal monitor calibration.
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