Yes—this is the classic converging verticals effect caused by tilting the camera upward. A shift lens is the optical solution; you don’t need tilt for this particular problem. Shift lets you keep the camera level so vertical lines stay parallel while still framing the top of the building.

You can also correct it in post-processing. Perspective correction tools in software such as Lightroom can do a good job, especially if your original file has enough resolution. The tradeoff is that correcting perspective stretches and crops the image, so you lose some pixels compared with doing it optically.

A practical no-special-gear approach is to use a wider lens, keep the camera level, place the building higher in the frame, and crop later. That mimics what a shift lens does, but wastes part of the frame.

So: if you shoot architecture often and want the best in-camera result, a shift or tilt-shift lens is the right tool. If this is occasional, post-processing or shooting wider and cropping may be good enough.