To a limited extent, yes—but not in the same way film gets its look.

A digital camera’s color filter array can influence color response, so in theory it could be tuned to favor certain hues. Extreme sensor modifications, such as infrared conversions, show that changing what wavelengths reach the sensor can dramatically change rendering.

However, much of a film stock’s “look” does not come from spectral sensitivity alone. In color film, a major part of the final look comes from the dye couplers formed during development and from printing choices afterward. Film grain and digital noise also are not the same thing, so changing the filter array would not reproduce that aspect either.

In practice, digital cameras usually aim for a flexible, neutral capture, and the easiest way to create a stylized look is to shoot RAW and apply color grading or film-emulation profiles in post. So while CFA design can affect color character, it cannot by itself fully recreate the complex look of a specific film stock.