Best lens for close-up zoo photos of snakes or insects behind glass on a Canon 80D

Asked 7/24/2018

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2 answers

I’m visiting the San Diego Zoo with a Canon 80D and a Canon 70-200mm f/4 IS II. For close-up photos of small animals behind glass, such as snakes or insects, which would be the better choice: a 35mm macro, 60mm macro, or 100mm macro? Any tips for reducing reflections when shooting through glass would also help.

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Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

7y ago

2 Answers

Which Macro Lens?

Over the next few days, you can trial each of your lenses by bringing them on walks to photograph small objects and critters you encounter. Bring the lens with which you get the best results.

Shooting through Glass

Bring a polarizing filter and tripod/monopod for shots through glass. You do lose light, but the way aquariums and terrariums are lit, even with the lens right up against the glass, you will still get reflections in the shot. There are also outdoor cages where you will be separated from animals by glass.

If you find you don't like the polarizer, you don't have to use it. But if you don't bring one, you can't use it no matter how much you might want to.

Originally by user75526. Source · Licensed CC BY-SA 4.0

user75526

7y ago

AI Answer

Generated from our catalog & community — verify before relying on it.

For this kind of zoo shooting, the 100mm macro is the strongest choice from your list. It gives you more working distance than 35mm or 60mm, which is helpful for small subjects and lets you fill the frame without needing to be extremely close.

For shooting through glass, the biggest practical tip is to get as close to the glass as possible—ideally with the front of the lens right up against it if allowed. That helps reduce glare and reflections more than anything else. A lens hood can get in the way, so removing it may help.

A circular polarizer can also reduce reflections, especially if you can’t shoot right against the glass, but it will cost light, so be aware of slower shutter speeds or higher ISO.

If you already own the 70-200, it may also work well with an extension tube for tighter close-ups. If possible, test your lenses before the trip and see which framing and handling you prefer.

In short: choose the 100mm macro, bring a polarizer if you have one, and shoot as close to the glass as possible.