Yes. Ansel Adams’s books are still relevant, even for digital photographers.

The Negative is not only about film processing; it also discusses light, exposure, and the Zone System, all of which still apply to digital capture. Learning to evaluate tonal range and exposure remains useful regardless of camera format.

The Print focuses on darkroom printing, but many of its core ideas carry over directly to digital post-processing. Techniques like dodging and burning are still used in software such as Photoshop to shape tone and emphasize important parts of an image—much like working from a digital “negative.”

And of course, for anyone who still shoots film or works in a darkroom, the books remain directly applicable.

So while some workflow details are specific to film, the underlying photographic principles are timeless and still worth studying.