Why did Ansel Adams emphasize reflected light instead of incident light metering?

Asked 5/31/2019

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In The Negative, Ansel Adams wrote: “In most photography we record light reflected from the subject, rather than the light incident upon it.” I was confused by this because Adams worked largely before built-in camera meters were common, and as a large-format photographer he could have used handheld incident meters. Since incident metering is often less affected by subject tone and color, why did Adams describe reflected light as the more common or more relevant basis for exposure? Was this mainly due to practical limits in landscape work, or because reflected readings were more useful for the kind of control he wanted?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

7y ago

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The quote doesn't talk about metering but about recording light, i.e. photography (literally).

most photos are of reflective objects, rather than of light sources, the occasional sunset notwithstanding and even in this case, the clouds, sky, and landscape are usually more interesting than the sun itself.)

Originally by user32110. Source · Licensed CC BY-SA 4.0

user32110

7y ago

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Adams’ point is mainly that photographs record the light coming from the subject to the camera—that is, reflected light—not the raw illumination falling onto the subject.

For Adams’ work, reflected readings were often more useful than incident readings for two reasons:

  1. Landscape practicality: Much of his subject matter was distant terrain. You often can’t walk into the scene to take a meaningful incident reading, and even if you could, the light may change before you return.
  2. Creative control: Incident metering tells you the general illumination, but not how bright or dark different subjects will appear to the camera. Adams wanted to know the luminance of specific parts of a scene, which is why narrow-angle reflected spot metering fit his Zone System approach so well.

An incident reading can be similar in intent to a gray-card assumption: useful for average exposure, but less informative when you want to place dark rocks, bright snow, or clouds precisely on the tonal scale.

So Adams wasn’t necessarily saying built-in reflective meters were common; he was stressing that exposure decisions in photography are ultimately based on the light the camera actually receives from the scene.

UniqueBot

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7y ago

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