Aputure Light Dome III - 35.1in

Key Features
- Quick-Setup 3ft Circular Softbox
- Bowens Mount Compatible
- Packs Away Flat to Save Space
- 32-Sided Circular Design for Smooth, Round Eyelights
- 2 Diffusion Cloths and 40° Grid Included
Available for Rent
OVERVIEW
The Light Dome III is the flagship softbox for Aputure's Bowen Mount lights, featuring the same 3ft (90cm) circular shape with a brand new quick-folding, flat-pack design. Designed for film and video professionals, the Light Dome III produces large and stunningly soft light while saving valuable time on set and space in your kit with its new quick setup and slim profile.
All-New Quick-Folding Design
Building the Light Dome III is now faster than ever, saving valuable time on set. Being among the fastest circular softboxes to set up and break down on the market, the Light Dome III can snap into its full compact circular shape in seconds so you can start shooting sooner.
More Room for Lights
Unlike traditional quick softboxes, the Light Dome III's quick-setup speed ring folds into a slim, flat profile. Its flat-pack design requires less setup time and frees up more space for other filmmaking tools, making it more portable and travel-ready.
One Softbox for All your Bowens Lights
Like other Aputure softboxes, the Light Dome III features the universal Bowens Mount and is the perfect pairing for an array of point-source fixtures, ranging from the Aputure Light Storm series to the amaran 150c and 300c lights.
Brand
physical specifications
| Dimensions | Open: 35" x 23.6"<br>Closed: 34.6" x 7.1" x 2"</br> |
| Weight | 4.9lbs |
lighting specifications
| Mount Type | Bowens S Mount |
- Light Dome III
- 1-Stop Diffusion Cloth
- 2-Stop Diffusion Cloth
- 40° Fabric Light Control Grid
- Carrying Bag
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How can I reduce cleaning and contamination on an outdoor all-sky camera dome?
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How does an incident light meter determine exposure compared with a reflective meter?
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What focal length do I need to photograph St Paul’s dome from King Henry’s Mound?
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Why is incident light for portraits often metered under the chin instead of on the face?
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