Why use burst mode on a still camera instead of shooting video and selecting frames for wildlife photos?
Asked 4/24/2017
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Nature photographers often shoot rapid bursts and then pick the best frame. If a camera sensor can record both stills and video, why not just record a short video clip and extract the best frame afterward? What are the practical image-quality and workflow advantages of burst stills over video for wildlife or nature photography?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
9y ago
2 Answers
54
There are at least four reasons.
- Resolution First, although the same sensor may be used, video generally uses only a portion of it (either by skipping lines or some more sophisticated method). 4K UHD video is the equivalent of about 8 megapixels. Most DSLRs these have three or four times the pixel count, and many have even more. That means it's possible to have higher resolution images (and possibly crop more tightly).
- Image Compression Second, video is usually compressed frame-to-frame, and the image quality requirements for any given frame much lower.
- Post Processing Flexibility Third, you almost certainly want to be capturing RAW data — "uncooked" data right from the sensor. While some high-end video cameras can capture a raw video stream, most don't — and, even then, it'd be a huge amount of data.
- Shutter Time And, fourth: video typically doesn't give good control over shutter speed — and is limited to electronic shutter.
Originally by user1943. Source · Licensed CC BY-SA 4.0
user1943
9y ago
0
Generated from our catalog & community — verify before relying on it.
Burst stills usually give higher-quality frames than video grabs.
Key advantages:
- higher resolution: video frames are often much smaller than full-resolution stills. For example, 4K video is only about 8MP, while many still cameras capture much more, which helps with detail and cropping.
- less compression: video is typically compressed heavily, often using frame-to-frame compression. A single extracted frame usually has less image quality than a still photo.
- raw capture: photographers often want RAW files for maximum editing latitude. Most cameras don’t record RAW video in normal use, and doing so creates huge files.
- data/storage limits: full-resolution stills at video frame rates would generate enormous data rates, making storage and processing impractical in affordable portable cameras.
- shutter/camera design: still cameras are built to shoot short high-speed bursts, not to deliver unlimited full-quality still frames continuously.
There are also practical factors: still-photo gear is generally cheaper and simpler than high-end video systems, and flash photography is easier with stills than with continuous lighting.
Video frame grabs can be useful, especially when resolution needs are modest, but for the best single images, burst still photography is usually the better tool.
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