Why does Photoshop open RAW files in Adobe Camera Raw, and can I skip its adjustments?
Asked 10/31/2018
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I usually edit in Photoshop, but my camera files are now RAW, so Photoshop opens them first in Adobe Camera Raw (ACR). I notice some settings are not zero by default. For example, Tint may show +16, and sharpening is also applied automatically. Does a Tint value like +16 mean ACR is adding magenta/red, or that the captured white balance metadata is already shifted that way? If I reset everything to zero and open the file in Photoshop instead, is there any disadvantage compared with doing those corrections in ACR first?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
7y ago
2 Answers
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However, my photos nowadays are all raw. So, when I open them, Photoshop forces me first into Adobe Camera Raw.
That's because the information in a raw image file must be interpreted before it can be converted to an image that is anything like what you expect to see on your screen.
Why Use Adobe Camera Raw?
There is no such thing as "The" raw image, there are only possible images that can be produced using the information in the raw file, which is a set of single linear, monochromatic luminance values for each of the photosites (a/k/a sensels, pixel wells, etc.) on the sensor.
Demosaicing to account for the differences due to color filters in the Bayer mask (even when producing a B&W image - remember how color filters altered the brightness of different things by different amounts when we used them on our cameras with B&W film?), gamma correction to convert the linear values to the logarithmic ones we need so that the image does not look more or less like solid black, color temperature, white balance correction, etc. must all be applied to the raw sensor data before it begins to look anything like the thing we took a picture of.
That is what ACR, or any other raw conversion application must do: convert the filtered monochrome luminance values for each sensel into a viewable image by applying color demosaicing, gamma correction, color temperature and white balance correction for various types of light sources, etc. It has to use some value for each of those setting to do so.
If you center everything to zero, you're basically telling Adobe Camera Raw that the photo was shot and properly exposed under more or less ideal conditions: Sunlight with a color temperature of around 5200K to 5500K, no harsh shadows, etc. ACR will apply default gamma curves, color channel multipliers, contrast adjustments, etc. optimized for those assumed conditions. If your light source(s) was(were) significantly different than what the default assumes, then those setting will not be correct to accurately reproduce the color of the scene.
Originally by user15871. Source · Licensed CC BY-SA 4.0
user15871
7y ago
0
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RAW files are not finished images. They contain sensor data that must be interpreted first, which is why Photoshop sends them through Adobe Camera Raw.
A Tint value like +16 does not necessarily mean ACR is arbitrarily adding color. It usually reflects the white balance interpretation/metadata for that capture, and positive Tint means a shift toward magenta, not red.
Some defaults may also be applied in ACR, such as sharpening, and auto tone adjustments can be enabled in preferences. If you don’t want those, you can change ACR defaults or disable auto adjustments.
Yes, you can reset sliders to their defaults or zero and then open the image in Photoshop. But the disadvantage is that key RAW adjustments such as white balance and exposure are generally better and easier to do before opening the file, while the data is still in RAW form. Once opened into Photoshop as a rendered image, you have less flexibility than when adjusting the RAW conversion first.
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