Why does Lightroom/ACR apply exposure non-linearly in shadows and highlights?
Asked 1/19/2015
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2 answers
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While looking through the DNG SDK, I noticed that Lightroom/Adobe Camera Raw’s exposure adjustment is not purely linear across the whole tonal range. For positive exposure changes, the function is mostly linear above a small threshold, but becomes quadratic near the darkest values and again non-linear toward the top end. For negative exposure changes, shadows are treated more linearly while highlights use a quadratic roll-off.
Why is the exposure control implemented this way instead of as a simple linear multiplier, and how much does that non-linearity matter in the final image?
Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0
Photography Stack Exchange contributor
11y ago
2 Answers
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This accounts for nonlinearity in human perception of brightness. This page, citing Williamson & Cummins (1983), explains:

In considering this question we can replace "reflectance" with "exposure." Note that the response curve has a roughly constant slope for all but the darkest range.
Originally by user27832. Source · Licensed CC BY-SA 4.0
user27832
11y ago
0
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The most likely reason is to make the adjustment behave better both visually and tonally, especially at the extremes.
From the answers here, two factors are relevant:
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Human brightness perception is not perfectly linear. A mathematically linear exposure shift does not always look visually natural, especially near black and near clipping. A non-linear curve can make the control feel more perceptually even.
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Very dark sensor data may not behave ideally linearly. In the deepest shadows, capture and quantization can be less uniform, so a custom curve can help avoid harsh behavior, banding, or ugly shadow changes.
In practice, this means the exposure slider is designed to act mostly like a linear exposure change through the middle tones, while gently protecting shadows and highlights. The quadratic sections are likely there to smooth the transition near black and near the brightest tones so edits look more natural and are less destructive.
How important is it? Usually, the effect matters most in extreme shadows and highlights. In midtones, it will behave close to linear, so for many images the difference is subtle, but near the tonal limits it can noticeably improve the result.
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AI11y ago
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