Why do underexposed shadows get noisy when I raise them in Camera Raw?

Asked 9/12/2015

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I shot a landscape at ISO 100, f/16, around 1/125–1/160 sec. I intentionally exposed for the sky to avoid blowing the highlights, then lifted the darker foreground in Adobe Camera Raw/Photoshop. The result was very noisy, especially in the shadows, while the sky looked much cleaner.

Why does this happen even at ISO 100? Is it mainly because the scene had more dynamic range than the sensor could capture in one frame? What can I do in-camera to prevent it, and what are the best post-processing options if I already have an underexposed file?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

10y ago

2 Answers

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To clarify, here is what you are apparently talking about:

This is a 1:1 crop from the middle of the picture.

There is no grain here. What I see looks like sensor noise. "Grain" makes no sense for such a digital picture anyway. Note that the clouds in the background look fine, but there is significant noise in the much darker foreground areas.

Basically, this scene has too much dynamic range for your sensor. To fix this, either take multiple images at a sequence of f-stops and stitch them together with a technique called HDR (high dynamic range), or get a better sensor. This is one area where sensor quality really matters. It would help to know what camera this was taken with. If this was a cheap point and shoot, then a better camera would probably make a significant difference. If this was a Nikon D3s, then your only option is multiple exposure HDR. (However, having experience with a D3s, I think it could do this natively with significantly less noise that exhibited here.)

Of course this is all assuming you exposed optimally for the sensor you do have. That means the brightest areas (the whitest parts of the clouds) need to be almost at the brightest raw values. Using the 0-1 scale for raw values, if the brightest areas were .9 or so, then you've done what you can. On the other hand, if they were .5, then you wasted a whole f-stop of precious sensor dynamic range. 0.25 would be 2 f-stops, etc.

You say you underexposed, but relative to what exactly? Some cameras have a mode that does exactly what you want in this case, which is to expose the highlights to hit just under the top of the sensor range. If that's what your camera was already doing, then underexposing only wasted dynamic range.

Again, it would be good to know the camera and what the histogram of the raw data actually was.

Originally by user7603. Source · Licensed CC BY-SA 4.0

user7603

10y ago

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AI Answer

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What you’re seeing is shadow noise, not film grain. Even at ISO 100, if the foreground is underexposed and you brighten it heavily later, you amplify noise along with the real image data.

Why: darker areas received fewer photons, so the signal is weaker there. Raising shadows in post is essentially “pushing” the exposure, which makes that weak signal—and its noise—more visible. If the sky and foreground were far apart in brightness, the scene likely exceeded your camera’s dynamic range in a single exposure.

How to prevent it:

  • Expose as far to the right as possible without clipping important highlights.
  • Don’t assume “protecting highlights” will leave enough exposure for shadows.
  • For high-contrast scenes, bracket exposures and blend/HDR them.
  • A camera with better dynamic range can help, but technique matters first.

What to do in post:

  • Apply noise reduction, especially to shadows.
  • Avoid extreme shadow lifting if possible.
  • If you have multiple frames, blend them instead of pushing one file too far.

So yes: the main cause is underexposed shadows in a scene with too much dynamic range for one shot.

UniqueBot

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10y ago

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