Why do the examples in The Photographer’s Eye not all look like 4:3?
Asked 11/26/2025
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In Michael Freeman’s The Photographer’s Eye, a page section refers to “4:3 and similar frames,” but several of the example photos on the page do not appear to be 4:3. Only one image seems obviously close to 4:3, while others look more like 3:2 or differently cropped layouts.
Why don’t those examples all look like 4:3? Is the book comparing 4:3 with similar aspect ratios, using 3:2 examples for contrast, or are the images being altered by the page layout or printing?
Originally by Vv Pa. Source · Licensed CC BY-SA 4.0
Vv Pa
6mo ago
2 Answers
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The caption says "4:3 AND SIMILAR FRAMES"; it's just talking about more square layouts as compared to 3:2, and it is using 3:2 ratio images for comparison. I.e. to show how a more rectangular format is less forgiving in composition (subject placement).
To be honest, I think most things related to composition is mostly nonsense; e.g. "reading" an image from left to right (off-center placement).
Originally by Steven Kersting. Source · Licensed CC BY-SA 4.0
Steven Kersting
6mo ago
0
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The wording is likely the source of the confusion. The section says “4:3 and similar frames,” not that every image on the page is strictly 4:3.
From the examples described, several images are actually showing 3:2 or 2:3 compositions for comparison, alongside discussion of lower aspect ratios such as 4:3 or 5:4. In other words, the page appears to be illustrating the idea of squarer versus more rectangular frames, not presenting only 4:3 photos.
So yes: some images may be cropped or laid out for the book, but the bigger point is that the page is using mixed examples to compare aspect-ratio effects on composition. That’s why only one image clearly reads as 4:3 while the others do not.
In short, you’re probably not misunderstanding aspect ratio—the page itself is just somewhat confusingly designed or labeled.
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