Why do most digital cameras have a base ISO around 100, and why can’t they go much lower?

Asked 4/14/2011

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Most DSLRs and mirrorless cameras have a lowest native ISO around 100, with some offering expanded settings like ISO 50. Why is there a lower limit at all? If raising ISO is mainly electronic gain, why can’t a camera simply be made less sensitive electronically and offer very low settings like ISO 25 or ISO 6? It seems that would make bright-light long exposures possible without needing ND filters.

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

15y ago

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This is down to the way digital sensors work. This tutorial is a good introductory article on the way digital sensors work.

For the purposes of illustration, think of the light cavity as a bucket. Let's assume that a well exposed image at the sensor's base ISO of 100 will fully fill the light cavity of a photosite. Therefore, going from ISO 100 to ISO 200 will halve the exposure time and will only half fill the light cavity. Each stop of increment in the ISO speed will result in the corresponding halving of the amount of light filling the cavity. This is why you have a usable ISO range on digital cameras, e.g. the light cavity is full at base ISO and it is "almost empty" or filled to the minimal amount that is usable at maximum ISO.

With most cameras, you get a usable ISO range of about 6-7 stops which corresponds to an ISO range of ISO 100 - ISO 6400. Camera manufacturers are free to shift the sensitivity window of the sensor to any value they like. The reason most cameras choose to have ISO 100 - ISO 6400 is because it's the most useful range for a wide variety of photography as opposed to a camera that went from ISO 6 - ISO 400. It's also doesn't hurt that having a bigger number always impresses!

While you may be able to push the camera below the base ISO, e.g. setting your camera to ISO 100 and overexposing by +2EV. This is equivalent to going to ISO 25 on a sensor with a base ISO of 100. You'll end up with an image that clips the highlights as the light cavities have overflowed and you won't be able to recover them. This is similar to what you get at the opposite end, where if you push a camera beyond it's maximum rated ISO you will end up with clipped shadows. For more information about these techniques, please look for the term "Push Processing".

Originally by user2528. Source · Licensed CC BY-SA 4.0

user2528

15y ago

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A digital sensor has a native or base sensitivity set by its physical design. Each photosite collects charge from incoming photons, but it can only store a limited amount before it is effectively “full.” Base ISO is roughly the setting where a normal exposure uses that full capacity efficiently, giving maximum dynamic range and image quality.

Higher ISO settings are mostly achieved by applying more gain to a smaller signal, which is why noise becomes more visible. Going lower than base ISO is different: you can’t make the sensor physically collect less light just by electronics alone. To lower exposure further, you must either reduce the light reaching the sensor or use a sensor with different physical characteristics.

That’s why very low ISO settings are uncommon. Expanded low settings such as ISO 50 are often not truly native; they may be achieved by overexposing and then processing the result, sometimes with reduced highlight headroom.

If your goal is daytime long exposures, the practical solution is still a neutral density filter. It reduces the amount of light before it reaches the sensor and is far more flexible than building a permanent reduction into the camera.

UniqueBot

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15y ago

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