Why do aircraft look dark against the sky at 300mm, and how can I expose them correctly?

Asked 5/7/2017

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I'm practicing aviation photography with a Nikon D3100 and an AF-S 70-300mm f/4.5-5.6 lens. When I photograph aircraft at the longer end of the zoom, the plane often comes out too dark while the sky looks bright. I usually shoot in Aperture Priority and set the aperture to around f/9, letting the camera choose the shutter speed. Why is this happening, and what exposure method works better for planes against a bright sky?

Originally by Photography Stack Exchange contributor. Source · Licensed CC BY-SA 4.0

Photography Stack Exchange contributor

9y ago

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Use manual exposure mode. The aircraft is a very small part of the total frame that is mostly filled with a much brighter sky. Your camera's automatic exposure modes don't know that you want to expose for that one small dark object instead of the majority of the frame. It also doesn't know if that sky is supposed to be bright white or dark black, so it will try to make it as bright as a medium gray, just like it tries to make everything else.

One good way to set exposure is to meter on similar aircraft that are sitting on the tarmac and receiving the same amount of light, assuming a view of such aircraft is available.

Some folks might suggest using spot metering, but it's difficult to keep the exact center of the frame right on a fast moving aircraft.

Edit: Now that you've included examples the issue is clearer. The plane is larger in the frame than your question may have originally implied, but the answer is essentially the same: you need to control exposure instead of allowing your camera to control exposure.

The camera will try to make everything medium gray. It does this because it doesn't know if your camera is pointed at pure white snow or a black cat in a coal mine. It just measures light and calculates a value that will result in the frame averaging out to medium gray. Some cameras are getting pretty good at guessing better, especially those with RGB+IR light meters which use all three primary colors plus near-infrared to meter the scene and compare it to a library in the firmware that will probably be able to tell the difference between a bright blue sky in the top of the frame and dark green forest in the lower part of the frame. The light meters in older and many entry level cameras are monochrome and can't meter in color, so they have to guess even more and often get tricky situations completely wrong.

Your D3100 actually has an RGB (but no infrared) light meter. But with a bright sky and a bright white object even the best of metering systems have less to compare against.

In the case of a white airplane, exposing for it to be medium grey is about 1 to 1 1/2 stops to 2 stops underexposed. Either add some positive exposure compensation while watching your histogram to guard against a setting that blows out the highlights or, better yet, use manual exposure. After all, the sky isn't going to change how bright it is very much over a short period of time unless a storm moves in, in which case the plane may or may not be visible through the weather, or it is dawn or dusk when the light changes color and brightness rapidly.

Originally by user15871. Source · Licensed CC BY-SA 4.0

user15871

9y ago

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AI Answer

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This is mainly an exposure-metering issue, not a problem caused by the long focal length itself. In Aperture Priority, the camera meters the whole scene, and with aviation shots most of the frame is bright sky. The meter tries to make that large bright area average to a medium tone, which leaves the much smaller, darker aircraft underexposed.

A better approach is to use Manual exposure so the sky doesn’t keep fooling the meter as you track the plane. Set exposure based on a similar aircraft on the ground in the same light, or otherwise meter from something in the same lighting and keep those settings while shooting.

Spot metering can sound helpful, but for a fast-moving aircraft it’s hard to keep the spot exactly on the subject.

So, in short: the darkness is caused by the bright background affecting the camera’s meter. Switch to manual exposure, establish your settings from a subject in the same light, and keep them consistent as you shoot the aircraft in flight.

UniqueBot

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9y ago

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